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Updated: 1 day 22 hours ago

Herald Sun, How Dare You

Sun, 11/19/2017 - 16:53

I can’t let this slide. Australian newspaper The Herald Sun has just published a tribute to Malcolm Young, and look at the title of this front-page pointer. 

Bass? BASS? BASS!?!

This is inarguably one of the greatest, most solid rhythm guitarists of all time, from one of the most popular bands of all time. I don’t know who the f**k goofed up to make this abomination of a headline a reality but holy crap, is it really that hard to go to Wikipedia and double-check this stuff? Absolutely ridiculous and a massive insult to Malcolm and all AC/DC fans. I mean, if you needed to write a cheesy headline, how about ‘Back In Black’ or ‘We Salute You’ or maybe just ‘Malcolm Young – 1954 – 2017′? This is like saying Ringo was The Beatles’ guitarist, or Adam West played TV’s Robin, or that the Herald Sun is a respectable newspaper. Every day this Facebook page seems more and more justified. 

The post Herald Sun, How Dare You appeared first on I Heart Guitar.

Categories: General Interest

The Church share new video for ‘I Don’t Know How I Don’t Know Why’ ahead of tour

Tue, 11/14/2017 - 15:37

One of my favourite albums this year is The Church’s Man Woman Life Death Infinity. It’s a beautiful, deep, swirling, emotive record that represents everything great about the band’s psychedelic, atmospheric melodicism. They’ve just released a live video for the track ‘I Don’t Know How I Don’t Know Why,’ which the press release describes as…

‘…A psychedelic dip into the complex consciousness of lead singer Steve Kilbey, the video highlights the latest single’s shimmery tones and experiential ambivalence on life’s purpose. With a video that transports the viewer to a rainbow coloured utopia, ‘I Don’t Know How I Don’t Know Why’ stands true to the church’s signature exploration of existence.

‘Flowing through with the inherent theme of water, their latest single exemplifies Kilbey’s explanation of the mind’s uncontrollable influence. “I’ve always marveled at the sea and rivers and rain…The way I write lyrics is very stream-of-consciousness. I never question them until we perform live” Steve says. Producing ten songs spanning 45 minutes of pure sonic bliss, their latest record Man Woman Life Death Infinity came in strong at #1 on the 100% Australian Independent Record Labels Association independent albums chart.

Filmed on their recent USA tour and edited by Eden Mullholland, the music video offers fans a taste of what to expect on tour. No strangers to the live stage, following a sold out run of Australian shows in 2015 and having previously pulled a 20,000 strong crowd at Primavera Sound, the church embark on a killer eight date national tour, tomorrow – barely touched down from 29 cities across the USA. Joined onstage by special guest, former Remy Zero (UK) guitarist Jeffrey Cain on keys, additional guitars and vocals, the tour will blend almost 50 years of classics with a burst of new songs off their latest record. The band’s Newcastle shows are nearly sold out with the church’s Sydney, Brisbane and Melbourne shows set to sell out in the next week. With under 50 tickets left for each show, fans are encouraged to move quick if they want to see this seminal Australian outfit for their first local dates in two years.

Snatch up last minute tickets for the Man Woman Life Death Infinity tour NOW.

Man Woman Life Death Infinity vinyl is available here.

SELECT TOURING PRESENTS

MAN WOMAN LIFE DEATH INFINITY TOUR
 
THU 16 NOV | THE GOV, ADELAIDE SA (18+)
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
 
FRI 17 NOV | ROSEMOUNT HOTEL,  NORTH PERTH WA (18+)
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
 
SAT 18 NOV | DUNSBOROUGH TAVERN, DUNSBOROUGH WA (18+)
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
 
THU 30 NOV | THE TRIFFID, BRISBANE QLD (18+)
Tickets available from www.oztix.com.au | 1300 762 545 | All Oztix Outlets
 
FRI 01 DEC | 170 RUSSELL, MELBOURNE VIC (18+)
Tickets available from www.moshtix.com.au | 1300 GET TIX | All Moshtix Outlets

MON 05 DEC | LIZOTTES,  NEWCASTLE NSW SOLD OUT
Tickets available from www.lizottes.com.au | 02 4956 2066

TUE 06 DEC | LIZOTTES,  NEWCASTLE NSW SOLD OUT
Tickets available from www.lizottes.com.au | 02 4956 2066
 
SAT 09 DEC | THE FACTORY THEATRE, SYDNEY NSW
Tickets available from www.factorytheatre.com.au

The post The Church share new video for ‘I Don’t Know How I Don’t Know Why’ ahead of tour appeared first on I Heart Guitar.

Categories: General Interest

Meet The Moniker Guitars Rival Series

Tue, 11/07/2017 - 17:05

Moniker Guitars has just unveiled the new Rival Series, a really unique chambered guitar that is made in the USA and features Seymour Duncan pickups for a mere $879USD. I think this is a great way to offer a certain degree of customisation while keeping costs down: essentially it’s the same basic guitar but with different faceplate and pickup options, and Moniker appears to have put a great deal of thought and care into designing and instrument that will effectively ‘become’ whatever pickup configuration you order. Go for some Duo-Sonics and you’ll have a great indie instrument. Select the Hot Rodded Humbucker option and you’ve got a powerful rock or metal machine. Other options include Strat, Tele, Lipstock or Phat Cat (P90 in humbucker housing) style pickups. I’ll be reviewing one soon, but in the meantime here’s a video and the press release.

Moniker Guitars launches the Rival Series, a unique chambered body guitar, designed to “rival” any other on tone, feel and price.

Austin, TX – October 23, 2017 – Moniker Guitars has launched the Rival Series, a bold electric guitar design intended to “rival” any other on tone, feel and price. In striving to build a guitar focused on those elements, Moniker has reimagined the instrument and how it can be built in the United States at a retail price that is under a thousand dollars.

Rival Series guitars feature an offset body shape made of maple with a matching maple neck and fretboard. The inside of the body utilizes a unique chambering pattern known as “Rival Ribs” to add resonance and warmth to the guitar. The Moniker website allows you to choose one of six styles of Seymour Duncan pickups to dial in the exact tone you’re looking for. On the outside of the body, the maple frames your choice of a colored Reso-acrylic faceplate. This creates a striking visual contrast between the faceplate and the natural wood. The hardness and reflectiveness of the Reso-acrylic top helps to bounce sound throughout the chambered body.

When it comes to feel, the first thing players notice is that the Rival chambering reduces the weight of the guitar to a mere 6.8 pounds. The acrylic top cuts away to allow for a contoured wood arm rest and a contoured neck heel allows easy access to the upper frets. Both body and neck are coated in a thin satin top coat to preserve the natural feel of the wood.

Customized Rival Series can be ordered through the MonikerGuitars.com at a retail price of just $879. The guitars are built in the same shop where Moniker has been building its Customer Series guitars in Austin Texas.  

“Our experience with our Custom Series line is what led us to develop the Rival Series.” says owner Kevin Tully. “We’re fortunate in that we’ve had the opportunity to speak to every single one of our customers and learn what they’re looking for. Beautiful finishes are important to many customers and on our Custom Series line, we spend a lot of time working on finish. But most people are just looking for great tone and great playability and they’re on a budget that doesn’t allow us to spend hours and hours on finish work. The Rival Series is the result of of prioritizing the fundamentals of the instrument and marrying them together in a clean and simple modern design. We’re extremely proud of how it has come out looking, playing and sounding.”

The post Meet The Moniker Guitars Rival Series appeared first on I Heart Guitar.

Categories: General Interest

I Heart Guitar Podcast Episode 5: Gilby Clarke, Derek Sherinian, Lindi Ortega

Tue, 11/07/2017 - 16:48

It’s the ‘Sorry About My Cold!’ Episode, featuring Gilby Clarke, Derek Sherinian and Lindi Ortega! The episode should be hitting your podcast catcher of choice right about now, or you can listen in the widget at the bottom of this post. Please leave a review if you’re listening on iTunes, and if you’d like to support the podcast and blog with a couple o’bucks, patreon.com/iheartguitar

Gilby Clarke is heading to Australia for some intimate shows in November and December, hitting Melbourne, Sydney, Brisbane and Canberra! He’ll be at:

Thursday 30th November – Crowbar – Brisbane
Friday 1st Dec – Cherry Bar – Melbourne
Saturday 2nd Dec – The Basement – Canberra
Sunday 3rd Dec – Frankie’s – Sydney

Tickets are on sale now from hardlinemedia.net

Derek Sherinian was one of the very first people interviewed for I Heart Guitar when it started (read that original interview here). As a keyboard player he’s one of the greatest guitarists you’ll ever hear. He has a real understanding of how a guitarist plays, and that’s part of what has made him such a great fit in bands like Dream Theater, Alice Cooper, Black Country Communion and his own Planet X. And now he’s in the supergroup Sons of Apollo with Mike Portnoy, Billy Sheehan, Bumblefoot and Jeff Scott Soto. Their debut record Psychotic Symphony is out now. Visit their site at sonsofapollo.com.

This is the second time I’ve interviewed Lindi Ortega. The first was for Australian Guitar magazine about two years ago to promote her album Faded Gloryville. Earlier this year Lindi released an EP called Til The Goin’ Gets Gone, and she’s heading down here to Australia for a run of shows including the Queenscliffe Music Festival. Visit LindiOrtega.com/tour for full dates and ticket info.  

The post I Heart Guitar Podcast Episode 5: Gilby Clarke, Derek Sherinian, Lindi Ortega appeared first on I Heart Guitar.

Categories: General Interest

Timi Temple’s Top 5 Pieces Of Gear

Thu, 11/02/2017 - 20:11

You might have seen him playing alongside Kilter as his live guitarist, but now it’s time for Australia’s own Timi Temple – aka Timothy Lockwood – to unleash his own intoxicating music with the release of his psychedelic new single ‘Sands of Time.’ Timi’s a big gear nerd like the rest of us and when the idea of doing a post about his top five favourite pieces of gear came up, he came back with the completed list in, oh, like 20 seconds. So here it is! Take it away, Timi.

1981 IBANEZ ARTIST 2630

This guitar is just brilliant ~ I remember being a super poor uni student just getting into jazz and I needed a ‘jazz box’ style guitar ~ unfortunately after trying a Gibson 175 for a while my shoulders and neck started to cramp up (being 5’6) so I settled to find a 335 type. I couldn’t afford a Gibson so started looking for alternatives and found this gem… and I couldn’t afford this one either haha ~ I begged the guy who owned it, but he didn’t budge, deflated I left but this is where persistence pays… I made offers to the seller for months (probably about 6 months) and finally he obliged, on the promise that I send him a picture of my first gig with the guitar and that I continue to love it… well that was easy peasy! I got the guitar for a steal and to this day it remains one of my most prized possessions! 

1981 ROLAND BOLT 60

A different story, this amp was a hand me down from Dad, it’s the amp I learnt to play guitar on. It never sounded good for some reason, and neither of us could suss it out, so, to storage it went and I started my love affair with different amps… I went through a Mesa Lonestar, a Fender Twin, a MI AUDIO Revelation, and finally a Jackson Ampworks Britain 3. None of the amps were giving me that satisfied feeling, I was still searching and it wasn’t till I had to repair the Britain that I decided to take the Bolt60 in for a service as well… I got both back and out of curiosity tried the Bolt60… it was perfect! I think it’s got to do with the peculiar half tube half solid state make up of the amp… it takes pedals so well, but also has 0 breakup as loud as you push it. Not sterile though… I just love it!!

PAUL COCHRANE TIM PEDAL

This pedal has my name on it. It’s automatically going to be favoured haha, but in all seriousness, if all the amps I owned morphed into a pedal (with my name on it) this would be it! It is absolutely organic and it’s my Swiss army knife of drives and lead sounds. I even leave this pedal on all the time at some gigs and just roll back on the volume knob to clean up. This is my desert island pedal. Did I mention it’s my favourite colour blue too?!?

1971 IBANEZ LAWSUIT 4001

Alright, in truth, I’ve totally got the love bug for the early Ibanez lawsuit model stuff, after buying the 2630 mentioned above, I spiraled into a frenzy, and for good reason too! These guitars and basses are just the holy grail for playing feel ~ and damnit I just realised I forgot to mention, I actually replace the pickups in all these Ibanez guitars with a local Sydney guy called Rob from Sliders Pickups. 

Anyway, this guitar I actually got from an old collector out west in Mt Druitt, he had carpal tunnel or something so couldn’t play anymore but loved the stuff ~ I messaged him querying the 4001 and he told me to come around and play for him… That same weekend I was supporting ICEHOUSE who happened to be one of his favourite bands, so I got him free tickets and he sold me the bass, AGAIN on the premise I use the bass at the Icehouse gig hahaha, another easy win! 

CUSTOM TONES LLC ETHOS OVERDRIVE

Okay so this little guy is kind of a two in one whammy ~ This pedal has a speaker out emulator and such a sweet preamp section, it’s saved me on at least a dozen gigs where backline amps have failed… I just go DI to desk and the tone and feel is sick! A trick to going direct like this is to have a single foldback dedicated to just being your ‘amp’ you stick it behind you and crank it and boom, it feels normal again… no one likes having their guitar amp shoot them in the face (sorry audience haha) having it behind you just feels natural. I think this pedal is based off the elusive Dumble amps, I haven’t tried a steel string singer, but I watched Robben Ford play in Sydney one night and I got to talk to him afterwards and this is the pedal he used into two fender twins… Good enough for Robben good enough for TIMI haha

SUPER SPECIAL MENTION

Goes to my persian rug that I took all these photos on… $10 from Bunnings and I got a sausage sizzle while I was there too… massive win.

And my two guitar straps which were hand craved by my uncle in Thailand for me!

Timi Temple social links:
FACEBOOK 
SOUNDCLOUD  
TWITTER

INSTAGRAM
YOUTUBE

 

The post Timi Temple’s Top 5 Pieces Of Gear appeared first on I Heart Guitar.

Categories: General Interest

New Gibson Neon Les Pauls Are The First Good Thing To Come Out Of 2017

Tue, 10/31/2017 - 01:55

If you know me, you probably know that I love both vintage and modern guitar designs pretty much equally. Some days I love nothing more than playing my 50s-style Les Paul Traditional or my ’62 Reissue Strat. Other days I’m all about my headless Kiesel Vader or my Roadflare Red Ibanez RG550. Well Gibson have gone and combined two of my loves in the one guitar: a Les Paul Axcess with Floyd Rose and – gasp! – neon finishes! It’s available in Neon Green, Neon Yellow, Neon Blue, Neon Orange and Neon Pink. Personally my pick of the bunch is the Neon Green. Look at that thing. 

The bodies are Mahogany with a 2-piece Maple top, with a Mahogany neck and Richlite fingerboard. The neck is a Slim C-Shape, and the pickups are a 496R neck humbucker and a 498T in the bridge position, with push-pull pots for coil splitting. 

Pics below, more info here.

The post New Gibson Neon Les Pauls Are The First Good Thing To Come Out Of 2017 appeared first on I Heart Guitar.

Categories: General Interest

Epiphone Richie Faulkner Flying V

Mon, 10/30/2017 - 15:57

It’s about time! Judas Priest’s Richie Faulkner has been flying the flag for the mighty Flying V for years now, and his customs with the oversized pickguard are some of the coolest Gibsons ever. Now there’s an Epiphone version with Floyd Rose, EMG 66 and 57 pickups and that distinctive pickguard. 

More info here.

The post Epiphone Richie Faulkner Flying V appeared first on I Heart Guitar.

Categories: General Interest

Podcast Episode 2: St Vincent, Richie Kotzen, Dan Auerbach, Walter Trout

Wed, 10/18/2017 - 17:03

Yup, you read that right: Episode 2 of the I Heart Guitar Podcast is out now and the guests are St. Vincent, Richie Kotzen, Dan Auerbach of The Black Keys, and blues legend Walter Trout.

You can listen here on iTunes or on the podcatcher of your choice (and if you can’t find it on whatever you’re using, email me at peter@iheartguitarblog.com and I’ll get it added for you). Don’t forget to leave a review! 

There’s also a Patreon page where you can show me some love and get access to an exclusive subscriber-only podcast feed. The first subscriber-only bonus just went out on Monday: a live track from my performance at the Melbourne Guitar Show in 2015. Subscribers will get all sorts of stuff: gear demos, extended interviews, live call-in shows, previews of the album I’m releasing in early 2018 and more (while also helping to pay for things like hosting fees, podcasting gear, food for my sausagedog, etc). 

The post Podcast Episode 2: St Vincent, Richie Kotzen, Dan Auerbach, Walter Trout appeared first on I Heart Guitar.

Categories: General Interest

I Heart Guitar Podcast Episode 1: Rich Ward, Tony MacAlpine & Tony Iommi

Mon, 10/09/2017 - 22:46

 

Well, I’ve finally gone and done it: meet the I Heart Guitar Podcast! The first episode is online now and it features Rich Ward of Fozzy, Tony MacAlpine, and an interview from the archives with Black Sabbath legend Tony Iommi. I hope you enjoy it, and there’s a lot more where that came future will include guest co-hosts, gear reviews, blogpods from various events, and lots more. 

You can listen to it below, or at the following links:

Here’s where to listen:
I Heart Guitar Podcast on iTunes
I Heart Guitar Podcast on Stitcher
I Heart Guitar Podcast on BlogTalkRadio

The post I Heart Guitar Podcast Episode 1: Rich Ward, Tony MacAlpine & Tony Iommi appeared first on I Heart Guitar.

Categories: General Interest

REVIEW: Pickmaster Plectrum Cutter

Sun, 10/01/2017 - 21:50


I don’t know where my guitar picks disappear to. I’m pretty sure it’s the same place my socks and my abs went. Some days I spend at least as much time searching for plectra as I do playing guitar, and although for years I was strictly a one-pick dude (the Jim Dunlop Jazz III), I’ve trained myself to now use whatever pick I find, wherever I find it. It’s just better and more musicianly to remain adaptable than to be bound to any one type of pick.

The makers of Pickmaster must realise this quandry because they’ve created the ideal way to ensure you are never left pickless. The Pickmaster Plectrum Cutter is a very chunky and solidly built tool which lets you stamp out picks from whatever material you find around the house – old credit cards, the lid from the butter tub – you could even be super-ironic and use it to cut a guitar pick out of one of those large triangular bass picks.

I tested the Pickmaster out first on its own packaging (how very meta), then on a few cards laying around the house. The unit is reassuringly strong, and requires a bit of pressure to cut through some materials. When it does so it cuts a perfect pick shape every time, regardless of material. Some ‘victims’ might require you to smoothe out the edges a little, which can easily be performed by rubbing the sides of the pick on your tattered old Levis or even on the carpet. Then you’re good to go.

The Pickmaster Plectrum Cutter will easily stash into your guitar case or gig bag for those little emergencies, and aside from being extraordinarily practical, it’s also a lot of fun. I can see myself making little pick-shaped pasta out of lasagne sheets, or maybe pick-shaped confetti out of shiny paper for some kind of special guitar-related occasion (I’m not sure what occasion that might be yet – I’ll invent one).

The post REVIEW: Pickmaster Plectrum Cutter appeared first on I Heart Guitar.

Categories: General Interest

Sarah McLeod’s ‘Wild Hearts’ Video

Tue, 09/19/2017 - 04:52

Sarah McLeod has just released a video for the track ‘Wild Hearts’ from her new record Rocky’s Diner, and is about to hit the road for an Australian tour in support of the album. The Wild Hearts video captures seemingly routine moments in time, like passing buskers in the street – but rather than rush by them, like you might if you were on your way to work or similar responsibilities, the clip allows you to stay a while. It also features her adorable little dog, Chachi! 

Here are the tour dates:

SUN 5 NOV | JIVE, ADELAIDE, SA | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
WED 29 NOV | THE CURTIN, MELBOURNE, VIC | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
THURS 30 NOV | THE BASEMENT, CANBERRA, ACT | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
SAT 2 DEC | THE FOUNDRY, BRISBANE, QLD | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
THURS 7 DEC | THE HEN HOUSE, BADLANDS BAR, PERTH, WA | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
FRI 8 DEC | THE ODD FELLOW, FREMANTLE, WA | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
SAT 9 DEC | PRINCE OF WALES, BUNBURY, WA | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
FRI 15 DEC | HERITAGE HOTEL, BULLI, NSW | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
SAT 16 DEC | THE LANSDOWNE, SYDNEY | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

THURS 5 OCT | SOL BAR, SUNSHINE COAST, QLD | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
FRI 6 OCT | SPOTTED COW, TOOWOOMBA, QLD | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
SAT 7 OCT | MIAMI SHARK BAR, GOLD COAST, QLD | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
SUN 8 OCT | BYRON BAY BREWERY, BYRON BAY, NSW | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
THURS 12 OCT | 48 WATT, NEWCASTLE, NSW | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
FRI 13 OCT | THE BAROQUE ROOM, KATOOMBA, NSW | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
SUN 15 OCT | MIRANDA HOTEL, MIRANDA, NSW | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
WED 25 OCT | PELLY BAR, FRANKSTON, VIC | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
THURS 26 OCT | SOOKI LOUNGE, BELGRAVE, VIC | 18+
Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets
FRI 27 OCT | KAROVA LOUNGE, BALLARAT, VIC | 18+

Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

 

FRI 3 NOV | WARATAH HOTEL, HOBART, TAS | 18+

Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

 

SAT 4 NOV | CLUB 54, LAUNCESTON, TAS | 18+

Tickets available from http://sarahmcleod.oztix.com.au/ | 1300 762 545 | All Oztix Outlets

 

The post Sarah McLeod’s ‘Wild Hearts’ Video appeared first on I Heart Guitar.

Categories: General Interest

New Satriani Album And Tour!

Tue, 09/19/2017 - 03:47

Wow, 2018 is gonna be a big year for Joe Satriani fans! Joe has announced a new record called What Happens Next, and it’s out on January 12. It features the rhythm section of Glenn Hughes and Chad Smith, so I can’t wait to hear the results. Visit Joe’s website to hear a preview of the track ‘Energy.’ And Joe is also kicking off a new G3 tour on January 11 with John Petrucci and Phil Collen. I’m really excited about this one because that’s three of my favourite guitarists from my teen years (who am I kidding – now too!) on the one bill, and it will be really interesting to see what Phil does in a solo context. 

Here’s the press release about the new record and tour. 

World-renowned guitar virtuoso, JOE SATRIANI, announces the release of his 16thsolo album, What Happens Next, set for release, January 12, 2018 on Sony/Legacy Recordings.  Just a day prior to the album release, SATRIANI revives his G3 tour entity, inviting Dream Theater’s John Petrucci and Def Leppard lead guitarist, Phil Collen to join him.  The G3 tour launches on January 11 in Seattle, WA and continues across the U.S. before winding up on February 25 in Milwaukee, WI.  There is a special tour pre-sale promotion giving fans the opportunity to buy concert tickets with the new album as well as VIP packages. Visit https://lnk.to/WHN for more information, pre-sale opportunities and specific market pre-sale and on-sale dates.

The new, instrumentally electrifying album features a power trio of legendary status;SATRIANI on guitar and Rock and Roll Hall of Fame inductee bassist Glenn Hughes (Deep Purple/Black Country Communion) and drummer Chad Smith (Red Hot Chili Peppers), the latter reuniting with SATRIANI for the first time since their work in the supergroup Chickenfoot. SATRIANI is once again joined byproducer/engineer/mixer Mike Fraser, his frequent collaborator over the last 20 years,on What Happens Next. Fraser is well-known for recording/mixing every AC/DC album since 1990’s The Razors Edge along with his classic works with SATRIANI going back to the release of Crystal Planet in 1998.

These new tracks literally vibrate the soul with an energy rarely found these days. From the dynamic opening track, “Energy”, to the majestic crunch of “Thunder High On TheMountain”, and the easy, sensual cords of “Smooth Soul”. This unparalleled rock-rhythm section gives What Happens Next a depth of groove that sets it apart from SATRIANI’s other work.

Since its debut in 1996, SATRIANI’s G3 tour has featured the world’s greatest guitarists (everyone from Steve Vai and Eric Johnson to Steve Lukather and Robert Fripp) and has become a consistent concert hall sell-out attraction in the U.S., South America, Europe, Australia and Japan. “I could say that I’m surprised at the durability of G3 and how much it’s grown, but in a way I’m not,” SATRIANI says with a laugh, “I think part of its charm and its mojo is in the chemistry of having three top guitarists share what they do on stage. It’s fun, it’s unpredictable, it’s wild – it’s everything you could want in a show.”

In addition to this new album and exciting tour news, a new documentary “Beyond the Supernova” shot by SATRIANI’s filmmaker son, ZZ, makes its debut at the Mill Valley Film Festival this October.  The tour documentary chronicles Joe, along with his band and crew, on their last “Shockwave Supernova” tour throughout Europe and Asia.

Satriani’s Strange Beautiful Music: A Musical Memoir first released in May 2014 will now be available in paperback.  Pre-orders are available now with the official release on November 7, 2017.  The paperback version includes a new chapter focusing on SATRIANI’s last album, Shockwave Supernova. Read an excerpt from the new chapter HERE.

“What Happens Next” Track Listing:

1 – Energy                                                                           7 – Headrush

2 – Catbot                                                                           8 – Looper

3 – Thunder High On The Mountain                          9 – What Happens Next

4 – Cherry Blossoms                                                        10 – Super Funky Badass

5 – Righteous                                                                     11 – Invisible

6 – Smooth Soul                                                                12 – Forever And Ever

The post New Satriani Album And Tour! appeared first on I Heart Guitar.

Categories: General Interest

T-RackS 5 Looks Crazy Cool

Thu, 09/14/2017 - 18:01

When the email about IK Multimedia T-RackS 5 hit my inbox, it dawned upon me that I’ve been using T-RackS for 18 years now. Whoa! If you haven’t tried it yet, a) what’s wrong with you and b) it’s an incredible suite of plugins for mastering, and I use it in all sorts of ways. Currently I’m using some of its EQ models to emulate particular mixing desk channels – my guitars go through a the model based on the Pultec® EQP-1A and a Black 76 Limiting Amplifier, then through my secret weapon: the Mic Room mic modeller, set for the same kind of mic I’m using but giving me access to the Proximity and Harmonics controls. Shh, don’t tell anyone.

T-RackS 5 has just been announced and it includes all the same great models but with a new improved audio engine, four new processors for a total of 38 high-quality modules on a flexible 16 processor series/parallel chain, a comprehensive broadcast ready professional metering tool section, a new completely redesigned, smart single-window GUI as well as an album assembly section with multi-format exporting function.

I’m particularly excited by the new Master Match module, which automatically matches the sound of your songs using up to three different source tracks as reference. 

Watch the video below and hit this link for more.

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Categories: General Interest

Alice In Chains – Dirt

Wed, 09/06/2017 - 06:33

Man, I’m continually blown away by how well Dirt by Alice In Chains holds up today. For all its darkness and brutal honesty there’s something strangely beautiful about it. It’s not an easy listen. You can tell even at this stage that the band was surrounded by and drawn towards self-destruction. The lyrics speak not just of addiction in an abstract sense, but of surrendering willingly to it, throwing yourself into it and letting it take you over completely. Embracing the hopelessness and the fuck-it-ness of it all. 

When I first heard the record, I couldn’t relate to that at all. Hell, the biggest addition I had was playing guitar, and I managed to turn that into something constructive. But as I got older I started to understand Dirt a little more. I was never a drug guy but I came to understand self-destruction, hopelessness, the compulsion to see how far you can take something that is bad for you, how low you can get before you admit you need help, how much you can dislike yourself before you decide to either do something about it or give in. 

There are a lot of albums I love that I don’t particularly feel like I need to listen to regularly any more, just because they’re so burned into my brain. But this one keeps calling to me and I keep hearing new things. And although Dirt has been out there in the world for 25 years now and has been a part of my life since my teens, I don’t listen to it for nostalgia. I listen to it because it feels like a living, evolving document of the human condition. It’s filtered through the lens of depression, addiction, desperation and surrender but as a listener you can superimpose all sorts of demons onto it and hopefully exorcise them in the process. 

Dirt is still not an easy listen. If you’re a sensitive soul, you’re going to feel a lot of things and you’re probably going to want to just sit in silence for a few minutes afterwards, letting your mind come back from wherever you’ve just been. But it’s a very worthwhile listen too.

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Categories: General Interest

What’s Your Approach To Effects?

Tue, 08/29/2017 - 17:03

What kind of a player are you: straight into the amp, or do you build your sound through stompboxes or effects units? I’ve been thinking about this a lot lately because the maturity of digital modelling means there’s a third alternative: “It’s all in my Kemper/Helix/Axe-Fx/etc” so sometimes it’s just an amp, sometimes it’s a bunch of effects, and sometimes it changes from verse to chorus.”

Me, I’m typically a straight-into-the-amp player. Generally I follow the EVH approach of using the guitar’s volume pot to adjust the amp gain, and most of the time I’m on the dirty channel whether I’m playing distorted or clean. I still love my pedals though and I’ve been collecting them since I was 13 years old so I’ve amassed a few favourites in that time. The Z.Vex Fuzz Factory, the Jim Dunlop Q Zone and Buddy Guy Cry Baby, the DOD FX25 Envelope Filter, the BOSS OC-2 Octave. And then there are my beloved Seymour Duncan pedals (As many of you no doubt know, I’m SD’s social media guy and I’m pretty loyal): the Forza and 805 Overdrive are my go-to drives even though I have …way too damn many overdriven to choose from. The Catalina Dynamic Chorus is the only chorus I’ll ever use now. And the Pickup Booster is so simple yet so classic. Can’t wait to get my hands and feet on an Andromeda Dynamic Delay too.

I guess the dream setup for me personally would be something like, say, a BOSS ES-8 so I can dip effects in and out while still effectively getting my main tone from the guitar and amp. The way I approach effects is very similar to what I recall Chris DeGarmo saying in a Guitar World interview back in the 90s: I see my tone as a beam of light, and effects as a prism to shine it through. I always want to keep the spirit of the sound intact, and I know that Marshall so well in terms of how it responds to my playing, what it can do, and what it needs a bit of extra help with.

One of the things that excites me about the Andromeda is that it’s MIDI-capable, and so is the ES-8, so if I get the two I’ll be able to build Andromeda preset changes into my patches. Kick in a Pickup Booster or 805 with some ducking delay for a hotter lead sound, switch on a nice atmospheric reverse delay for my rolled-back-volume cleanish rhythms, hit the OC-2 and a fat analog delay sound for big riffs of doom …actually I’m thinking of using a Seymour Duncan PowerStage 700 power amp to power a pair of wet speakers so I can have a wet/dry/wet setup for delays, chorus, reverb and pitch shifting, still taking advantage of my ‘straight-into-the-amp’ approach on the gain side of things while also getting the most out of my pedals for the ambient and really ear-catching stuff.

What about you? How do you approach your use of effects?

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Categories: General Interest

IK Multimedia announces iRig Keys I/O

Thu, 08/24/2017 - 02:37
 
IK Multimedia has just announced iRig Keys I/O, a keyboard controller with a built-in audio interface. I love this! Personally I find that one of the biggest impediments to my recording projects is having to set everything up and deal with cramped spaces while trying to feel free and creative. With iRig Keys I/O, IK Multimedia has packed together a keyboard controller with 25 or 49 full-sized keys, line/instrument/mic input with phantom power, eight MIDI-assignable drum/sample pads, assignable control knobs (actually they’re in two banks so there are effectively eight plus a volume/data one. Assign them to your AmpliTube 4 amp knobs!), balanced stereo and headphone outputs, transport controls for your DAW, two assignable touch strips and more. Imagine the possibilities: with just an iRig Keys I/O and an iPad or laptop you can take care of all your keyboard, drum pad, instrument and mic inputs in a single device when you’re out and about. At home, just plug the outputs into some powered monitors and you’re ready to rock. I have to get one!
 
Here’s the press release…

 
August 24, 2017 – IK Multimedia is proud to introduce iRig Keys I/O, the new breakthrough keyboard controller range featuring a built-in audio interface. It will be available in October 2017 and is now open for pre-order. The only keyboard controllers with 25 or 49 full-size keys to integrate a professional high-definition audio interface, iRig Keys I/O features 24-bit audio up to 96kHz sampling rate, a combo input jack for line, instrument or mic input with phantom power, balanced stereo output and high quality 1/8″ headphone output ideal for use with the latest Apple® devices like the iPhone® 7. iRig Keys I/O also includes all the controls users would expect from a premium keyboard, including velocity sensitive multicoloured pads and programmable touch-sensitive sliders, buttons and knobs in an ultra-portable package that includes everything needed to create complete music productions and is unmatched for speed and simplicity to connect and set up.
 
Built-in professional audio interface
iRig Keys I/O is the only controller range currently available on the market today featuring a professional 24-bit, 96kHz capable audio interface. This keeps cabling to a minimum and makes setting up as fast and easy as just plug and play. For recording the combination input handles 1/4″ or XLR sources and provides the best possible audio quality with a Class A preamp for dynamic and condenser mics (including 48V phantom power), to line instruments along with guitars and basses. When used in live performances the 1/4″ balanced stereo output allows for long cable runs directly to a PA or mixer which is perfect for keyboard players and DJs. All of this makes iRig Keys I/O the ideal creative tool for studio or live use, in any situation, providing a solution that is more convenient and affordable than having to buy a controller and audio interface separately.Control with touch
Starting with a fast synth-action keybed that improves on all previous IK keyboards, iRig Keys I/O includes all the controls expected from a premium controller and more. Both models feature a volume/data push knob, 4 touch-sensitive knobs on 2 banks (acting as 8 total controls) and 8 multicoloured LED velocity sensitive pads. There are also 2 fully programmable touch control strips acting by default as Pitch and Modulation controls. A complete touch sensitive transport and button section rounds out the controls available. All knobs, sliders and buttons are touch-sensitive using capacitive technology for ultra-fast action and immediate feedback, displaying the related parameter value just with a simple touch.

True plug-and-play
Being certified Apple MFi hardware (Made for iPhone and iPad) and thanks to the on-board audio interface, iRig Keys I/O works out of the box with all iOS devices with a Lightning port, including the latest generation iPhone 7 that does not have an audio output jack. The included Lighting cable allows for easy plug-and-play operation with Apple iOS devices and the USB cable connects Mac and PC computers. iRig Keys I/O also works seamlessly with popular Digital Audio Workstation (DAW) software like GarageBand®, Logic®, Ableton® Live™ and more.
 
Goes anywhere
iRig Keys I/O 25 and 49 key versions are the smallest controllers with full-size keys on the market today. This is a great advantage when working in studios or environments where space is at a premium and ideal for the travelling musician, not only for their ultra-compact size but also because they are 25% lighter than the nearest competitor. Furthermore, iRig Keys I/O can be powered by USB, an optional external power supply (that simultaneously charges an iOS device) or with 4 AA batteries for mobile music production anywhere.
 

Full suite of software included
With over $/€550 (in the 25-key version) and $/€750 (in the 49-key version) worth of IK software and apps, iRig Keys I/O includes an unrivalled selection of software allowing for complete productions when combined with a DAW or free composing and recording software like GarageBand. Included in both 25 and 49 key versions is Ableton® Live 9 Lite™ digital audio workstation, SampleTank 3 sound and groove workstation with over 43GB and 5000 sounds, T-RackS 4 Deluxe mix and mastering suite with 9 EQ and dynamics processors, and the Syntronik Pro-V vintage synthesizer. Plus, iPhone and iPad users receive the full version of SampleTank. Additionally, the 49-key version comes with Miroslav Philharmonik 2 CE orchestral workstation for Mac/PC and the mobile edition for iOS.Pricing and availability
iRig Keys I/O will be available in October 2017 and can be pre-ordered now from the IK Multimedia online store and IK authorised dealers worldwide for the remarkably affordable price of only $/€299.99* for the 49-key version and $/€199.99 for the 25-key version. In addition to the massive bundle of included software, iRig Keys I/O also comes with 4 x AA batteries, Mini-DIN to USB and Mini-DIN to Lightning cables and a device stand for iPhone and iPad.

* All prices excluding taxes

For more information, please visit:
www.irigkeys.io

For a video of iRig Keys I/O, please visit:
www.irigkeys.io/video

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Categories: General Interest

Jim Dunlop Geezer Butler Cry Baby Wah!

Tue, 08/22/2017 - 03:19

Geezer Butler wah wah

I don’t know a single bass player who has plugged into a wah wah pedal and not immediately played Geezer Butler’s N.I.B. intro licks. Geezer knows what he wants from his wah sound, and now he’s got it in the form of his new signature Jim Dunlop Cry Baby. It has several very stageworthy features: you bring it out of bypass simply by putting your foot on the pedal; you can set the effect ring-out time (ie: how long the effect remains engaged after you return the pedal to its heel position); and there’s an internal Q control. Rotate it clockwise for a narrower frequency range and more pronounced wah effect or counterclockwise for a wider frequency range and subtler wah effect. 

Order yours from Musicians Friend.

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Categories: General Interest

Star Wars Is Def Leppard

Mon, 08/21/2017 - 00:33

Ok, so if you follow me on Twitter you know I’m a huge Star Wars fan. Even the prequels. Yeah. Come at me if you wanna fight about it. Anyway, something just hit me while listening to a (subscriber-only) Steele Wars podcast where fans called in with their ideas about the possible Obi Wan movie or other non-saga Star Wars movies:

STAR WARS IS DEF LEPPARD.

Def Leppard is a huge band, right? There was a time where they were selling tens of millions of albums (Hysteria alone has sold over 25 million copies). They have die-hard fans the world over who know every song from every album. Every B-Side. Every little piece of trivia. They collect pressings from different countries, etc etc etc. These are your real hardcores. 

Now, here’s the thing. Go to a Def Leppard concert (seriously, do it. They’re awesome) and you’ll see 15,000 people in the audience. Among them are probably, like, 500 people who know every single song. Then there are another 14,500 people who only know the big hits. If the band was to drop in some deep cuts to please the hardcores, you have 14,500 people going “Uh… what’s this? Let’s go get a beer.” Throw in enough of those songs to satisfy the super-intense fans – the B-side collectors – and guess what: the reviews will suck. “Oh they played a bunch of stuff I didn’t even know. What a waste of money. Nobody ever heard Lady Strange on the radio at work.” And next time Def Leppard comes to town they’ll be playing to just those 500 people – but they won’t because the machine is too big. They’re a business with employees. They have staff to pay. They have ongoing costs to cover which the touring cycle takes care of, and you can’t just take a business like that and say “Y’know what? Let’s make 95% less money on the road this year!”

What I’m saying is, some of us may really really want a Star Wars movie that fills in some piece of obscure timeline trivia or would just be, like, totally cool, but instead we’re gonna keep getting Pour Some Sugar On Me.

They’re saving Ded Flatbird for the novels and comics.

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Categories: General Interest