Premier Guitar

Anthology Gear has released its newest guitar strap called Harvest, inspired by the aerial view of farmlands - the patchwork of squares in varying colors of gold, brown and green that blankets the landscape. Coinciding with the 40th anniversary of Farm Aid on September 20, Harvest will support family farms via donations made to the organization.

Just prior to the release of the Harvest guitar strap, Anthology Gear made its first donation to Farm Aid and will continue to donate $10 for every Harvest strap sold on the Anthology Gear website www.anthologygear.com. Additionally, one Harvest guitar strap will be included in the Farm Aid 40 Memorabilia Auction. Often autographed by artists at the festival, these items will be open for bidding September 20 through October 3 on the Farm Aid website at farmaid.org/auction. Proceeds raised by the auction support Farm Aid’s work.

“In addition to providing high quality crafted leather goods, we want to add even more meaning to our small business and support organizations that matter to us,” says Katya Hirsch, Co-Owner of Anthology Gear.

All Anthology Gear guitar straps offer the following features:

Straps are made with high quality full grain leather which burnishes and beautifies with use

Leathers are chosen for their ability to fully distribute the weight of the guitar across the strap, for a more comfortable playing experience

A high-density premium padding maximizes comfort

Straps adjust from 39" - 54" in length; length can be extended to up to 63” with an optional jumbo tongue

Pricing for the Harvest guitar strap is $149 (with free shipping within the USA) and can be purchased directly from Anthology Gear at www.anthologygear.com.

The list of artists scheduled to appear at Sweetwater’s GuitarFest has been finalized. GuitarFest is taking place Saturday, September 27, on the company’s Fort Wayne, Indiana, campus. Music legends, industry leaders, and more than 70 top brands will welcome guitar lovers to this all-day event scheduled from 9AM to 5PM.

As the nation’s leading online retailer for music makers, Sweetwater has a full day of activities planned for GuitarFest attendees. Renowned guitar brands such as Gibson, Fender, Marshall, and many others will have booths, giving guitar enthusiasts the chance to speak directly with brand experts about their favorite brands. Guitar lovers will be able to get up close to thousands of guitars on display, including an entire section of unique and one of a kind guitars only available at Sweetwater.

GuitarFest will also feature appearances by major artists and other music industry notables. Confirmed artists for this year’s GuitarFest include PhilX, Yvette Young, Ariel Posen, Rob Scallon, Courtney Cox, Reeves Gabrels, Ken Susi, Freekbass, Fluff, Danish Pete, Chris Holt, Bella Perron, Bakithi Kumalo, Al Joseph, Beau Burcell, and Phil Demmel. You can see the full list of artists appearing at Sweetwater.com/guitarfest/.

Sweetwater will showcase legendary gear from the exclusive Rock & Roll Hall of Fame collection. The gear on loan includes Nita Strauss’s personal Signature Series Ibanez from her Wrestlemania tour, Slash’s Appetite for Destruction prototype that was used live from 2011 to 2025, Zakk Wylde’s iconic Gibson Les Paul, and Joe Satriani’s 1997 Ibanez JS Series Chromeboy.

“We will have something for everyone,” said Samantha Hunter, Director of Artist Relations and Campus Events at Sweetwater. “We are creating an unforgettable celebration for music lovers. You can check out the booths from all our partner vendors, meet some amazing artists, see some amazing gear, as well as save some money with the fantastic deals we have planned.”

This year’s GuitarFest will feature the return of DealZone, a popular destination from previous events. Attendees can enjoy exclusive, in-person savings of up to 70%.

Registration for this free event is available now at Sweetwater.com/guitarfest/, where visitors can stay up to date on all the planned activities. Registrants will also be entered for a chance to win a $2,500 Sweetwater giveaway.

This event is family friendly and takes place on Sweetwater’s state-of-the-art campus located at 5501 US Highway 30 West in Fort Wayne. The Sweetwater campus includes the largest music store in the United States and other attractions for visitors to enjoy.

There are more flexible means for mashing up fuzz and delay than Benson’s Deep Sea Diver. And in a time of preposterously low-priced pedals, there are more economical methods, too. But there’s no guarantee that a more traditional and cost-conscious path will yield results as interesting—or inspirational—as those offered by the Deep Sea Diver. It’s a pedal that often serves up zigs where you seek zags—depending on your sense of adventure and creative latitude, it can feel versatile, forgiving, and full of exciting surprises.

Bathyspheric Battiness

The Deep Sea Diver was developed with Jessica Dobson, who fronts the band that shares the pedal’s name—and for whom more unusual applications of the fuzz/delay equation are a sonic cornerstone. The basic architecture of the Deep Sea Diver makes a great departure point for any player keen to ply the odder corners of that stompbox formula. It’s hard to know firsthand exactly what that architecture is—Benson flipped the circuit board so that you don’t see components, but rather a stylized representation of Dobson’s face in silhouette. (For the record, the solders you can see all look exceptionally tidy).

Chris Benson says that the 3-transitor fuzz section of the circuit uses a mutant mix of the 2-transitor Tone Bender MK 1.5 and the 3-transistor Tone Bender MK 2.0 as a foundation. Dobson says she envisioned a less hectic version of the ZVEX Fuzz Factory—a relation borne out here by the gate and bias controls. The delay section, meanwhile, is built around a PT2399 chip. This is a device many builders have put to creative use in spite of first turning up in karaoke machine delays. Its sonic signature—lo-fi, hazy—can be similar to that of bucket brigade delays, but still occupies a different lane than the analog EHX Memory Man and Diamond Memory Lane devices that underpin Dobson’s rig. As a whole then, the Deep Sea Diver doesn’t really replicate any particular part of Dobson’s tone recipe as much as it adds a new color formed in the spirit of where her playing has been and where it might be going.

One Deep Sea Diver feature that is a fixture of Dobson’s tone is a delay that is situated before the fuzz—except for when it isn’t. By holding down the bypass switch while powering up, you can reverse the order of the effects. If you’ve never experimented with switching fuzz and delay, the results can be revelatory.

Submarine Flip Flops

Given how interesting it is to move between the order of effects on the Deep Sea Diver, it’s a shame that you can’t make the switch without powering off the unit. Obviously, that’s not the most complicated process, but it’s also not one you’ll attempt in the middle of a song or set. Many pedals enable effect-order switching via a toggle or alternate footswitch input. In this case, the latter possibility was difficult for good reason, as pressing and holding the footswitch activates an endlessly entertaining runaway oscillation effect.

To a passively listening bystander, a switch in fuzz/delay effects order isn’t always glaringly obvious. In a very general sense, fuzz before delay results in greater clarity, and vice versa. But on the Deep Sea Diver, situating the delay before the fuzz lends a gauzy, foggy smear around the edge of transient notes and the repeats that you feel as much as hear. Comparing the Deep Sea Diver to a bucket brigade delay and a ZVEX Fuzz Factory, you can hear why Chris Benson employed the PT2399 chip. There’s a slightly more lo-fi blur to the Deep Sea Diver’s delay signature, which, to my ears, lends extra mystery.

One Deep Sea Diver feature that is a fixture of Dobson’s tone is a delay that is situated before the fuzz—except for when it isn’t.

But it’s the fuzz section of the Deep Sea Diver that really expands its performance envelope. The gate and bias controls both have impressive range and work together pretty seamlessly to broaden the pedal’s fuzz voice. There are lots of collapsing, fractured fuzz-on-the fritz and dying-AM-radio sounds made more appealing by the smoky delay signal. You’ll find many shades of super-cool mid-1960s buzz, too. But it’s also capable of unique, punchy drive sounds that hit hard and are easy to compose with, and situate in a mix without sounding entirely unhinged. The Deep Sea Diver will happily go bonkers if that’s what you’re after though, and as you get a feel for the way the gate and bias controls interact you might not even miss the conspicuously absent gain level control—which, I venture, would complicate matters significantly.

The Verdict

I played the Deep Sea Diver next to a few different fuzz/delay combinations, and there is an audible cohesiveness in the two effects at the Benson's core. Furthermore, the resulting dovetailed fuzz/delay voices lend the Deep Sea Diver a truly individual voice at many settings. Though it falls short of mimicking the butter-smooth sustain of, say, a Big Muff and a Boss DD-5, it can still dish many rich fuzz tones in that spirit—just a bit filthier. The Deep Sea Diver is most certainly eccentric, just as its creators no doubt intended. But it’s not exclusively weird. There are plenty of sounds here for classicists, even if the Deep Sea Diver tends to beckon the player toward more unorthodox ends.

On this episode, James Bay joins Cory Wong from backstage at the 9:30 Club in Washington, D.C. (It takes Wong all of 10 seconds to recognize and name the green room.) Bay is still supporting his fourth full-length record, Changes All the Time, and Wong picked up on a different guitar approach on the new album. Bay walks him through how his playing matched the collection’s title.

Bay also reveals the first solo he learned to play (or, rather, failed to learn to play; it’s a Bon Jovi hit), and how Jack White’s philosophy of struggle against his instrument has shaped Bay’s relationship to his own guitars. As bandleaders, Wong and Bay both have plenty of experience hiring players to join them in studio and on the road, so what do they look for when selecting colleagues? Tune in to find out.

It wouldn’t be a chat with a Minnesotan guitarist without some Prince talk, so stick around to learn the appropriate etiquette for covering The Artist when touring his home state.

Realistic vintage-like wear on the neck and body of this rock-solid P-Bass make it feel as familiar as a favorite sweater.

Featuring a variety of vintage colors finished in Road Worn® aged nitrocellulose lacquer, the Vintera II Road Worn ‘60s Precision Bass recreates the look and feel of a well-played classic. The limited Road Worn models are enhanced with a new subtle aging process combining light checking, gentle wear patterns and a semi-gloss finish, while maintaining the authentic broken-in feel players love about vintage Fenders. The ‘60s “C”-shape maple neck with 7.25” radius rosewood fingerboard and vintage-tall frets provides supreme comfort and outstanding feel. Under the hood, you’ll find a vintage-style ‘60s split-coil Precision pickup that delivers all the warm, dynamic and powerful tone that made Fender famous. The vintage-style 4-saddle bridge and vintage-style tuning machines provide classic looks with enhanced intonation and tuning stability to complete the package. Options include Rosewood Fingerboard in Fiesta Red and Charcoal Frost Metallic.

Today, Taylor Guitars, the leading global builder of premium acoustic guitars, announced the expansion of its Gold Label Collection with three new models: the Gold Label 514e, Gold Label 714e, and Gold Label 817e. The launch follows the success of the Gold Label Collection 814e introduction in January and Grand Pacific models in June, reflecting strong market demand for the heritage-inspired line. The new models bring the Gold Label collection to 18 total models, offering players more options within Taylor's premium acoustic range that delivers a rounder, warmer, more robust flavor of acoustic tone. The models are available at authorized Taylor dealers worldwide and on taylorguitars.com.

Three Defining Innovations

The Gold Label Collection showcases three key innovations that set it apart from traditional Taylor offerings. Fanned V-Class® Bracing features a fan-like arrangement of braces in the soundboard's lower bout, delivering on the original promise of a flexible voicing platform that gives these models a warmer, more resonant, more powerful sound. The patented Action Control Neck® features a long-tenon neck joint that extends deeper into the body to boost low-end resonance while maintaining a slim, fast-playing profile. It also enables quick, precise string height adjustments with a turn of a bolt through the soundhole without the need to remove the neck or strings. Completing the package, the collection's Heritage-Inspired Aesthetics draw from old banjos and mandolins, early Taylor designs, and Powers' pre-Taylor archtop work, featuring his modified headstock shape with an angled back cut and a script-style Taylor logo inlay and unique pickguard shape.

Gold Label 514e Super Auditorium

Solid mahogany back and sides paired with torrefied Sitka spruce deliver a rich, earthy midrange character with woody response and powerful projection. Available in natural, blacktop or golden-brown sunburst finishes with cream-colored "Crest" inlays and cream body binding.

Gold Label 714e Super Auditorium

Indian rosewood and torrefied Sitka spruce showcase rosewood's characteristic deep lows, rich trebles and blooming overtones with impressive dynamic range. The model features understated appointments that channel the collection's workhorse spirit.

Gold Label 817e Grand Pacific

Honduran rosewood and torrefied Sitka spruce offer harmonically rich tone with inspiring old-school sonic character. The Grand Pacific body shape, with 3/8-inch of extra depth at the soundhole, provides greater volume, warmth and low-end expansiveness that are ideal for robust strumming and dynamic flatpicking.

Stage and Studio Acclaim

The Gold Label Collection has earned praise from both recording professionals and touring crews for its distinctive sound and innovative features. Producer/engineer Ben Moore, who has recorded guitar players for over 30 years, noted the collection's unique sonic character: "When a client opened the case and I saw a Taylor, I already had a sonic shape in mind before they strummed a single chord. The Gold Label guitars sound nothing like those guitars. The harmonic complexity

and midrange voice are nothing like any Taylor I have heard before. Microphones LOVE them.”

The Gold Label’s practical innovations have also won over touring professionals. "Having the 517e out on the road was such a treat,” said Matt Yankovich, Guitar Tech for Balance and Composure, and Mom Jeans. “The Action Control Neck is a touring guitar tech's dream come true — finally having the ability to quickly make action adjustments on the fly to keep things comfortable without needing to sand down saddles is an absolute game changer in the world of acoustic guitars."

The Gold Label 514e, 714e and 817e models are available now at authorized Taylor dealers worldwide starting at $2,599. All models include Taylor's Deluxe Hardshell Case and feature LR Baggs Element VTC electronics. For more information about the Gold Label Collection, visit TaylorGuitars.com.

The EVH® 5150® Iconic® Series satisfies the needs of gigging and recording guitarists craving that powerful EVH tube tone, but at a more affordable price. Evolving from the revered EVH 5150III® amplifiers, the Iconic Series delivers the signature sound and growling gain that Eddie Van Halen made famous throughout his groundbreaking career.

Designed by renowned amp engineer, James Brown, the 5150® Iconic® Series 15-watt Head is powered by one EL34 power tube and voiced by a complex, multi-stage hybrid preamp section anchored by a duet of ECC83 tubes providing all the fire power the modern guitarist needs.

Punching above its weight, this head features two channels with an extra voicing on each for even more versatility. The Green channel boasts an overdrive button to run from clean tones to increased gain, while the Red channel’s burn button adds fiery crunch that’s ideal for blistering leads. Each channel houses its own gain and volume controls, allowing for level-matching the volume when switching between the clean and high gain channels. The Boost control allows you to add another 10Db of foot-switchable volume to your tone - perfect for ensuring your solos cut through the mix.The control panel also includes shared EQ (Low, Mid and High), global resonance and presence knobs to adjust the low- and high-end aspects of your tone, and a global reverb to add the perfect amount of bounce and decay for any room.

Other features include a two-button footswitch, effects loop, dual parallel speaker output jacks, ¼ power switch to reduce wattage - allowing you to crank the amp and still preserve tone but without destroying your neighbor’s solitude, and a speaker-emulated DI XLR with power amp mute for accurate all-tube EVH tone for recording direct or using through any PA system. Sporting sophisticated and distinctive EVH style, the 5150 Iconic Series 15-watt Head is wrapped in Black textured vinyl with a brushed gold anodized aluminum front panel and black steel grille featuring gold and black 5150 and EVH logo badges. This This tube head is finished off with a brushed gold anodized aluminum control panel, vintage-style chicken-head knobs and molded black plastic top handle.

Learn more here.

D’Addario announces the Premium String Change Mat, a must-have for luthiers, techs, and players who need reliable, finish-safe support during string changes and instrument maintenance.

​Reliable Support for Every Restring & Repair

Designed with D’Addario’s iconic ball-end logo, the oversized mat measures 37.4” x 17.7”. On the surface is a soft, smooth fabric surface that’s safe for all finishes. Meanwhile, the underside is made of anti-slip rubber to ensure stability while you work, and the stitched edges improve long-term durability. Whether you’re performing an at-home tune up or prepping gear on the road, this mat keeps your instrument steady, protected, and scratch-free while you care for it.

A Must-Have Tool

"We want you to enjoy changing your strings. This mat was designed to be comfortable and functional, transforming your string change from a chore to a retreat," said D'Addario's Business Development Manager, Danny Mele.

Features:

• Soft, Smooth Fabric Surface
• Anti-Slip Rubber Underside
• Stitched Edge
• Ethically sourced and packaged with zero plastic
• D’Addario’s iconic ball-end logo

Product Info:

• Street Price: $29.99
• Available now at daddario.com and through participating retailers and distributors
• More Info: https://ddar.io/pscm-pr

Today, Jackson introduces a legendary shape to its prestigious American Series lineup: The American Series Rhoads RR24 and RR24 HT. Born from a 1980 collaboration between metal icon, Randy Rhoads, and founder, Grover Jackson, this distinctive angular shaped design was built for the ultimate shredding performance. Featuring USA-made Seymour Duncan® JB and ‘59 humbuckers pickups, a reverse 6 in-line headstock and the signature offset Rhoads alder body, the American Series Rhoads delivers the bold, brutal tone that metal enthusiasts demand.

Meticulously crafted in Jackson’s Corona, California factory, the American Series Rhoads is built to devastating perfection through premium materials and components including alder bodies with three-piece neck through construction and 12-16" compound radius ebony fingerboard with jumbo stainless steel frets. This launch expands the American Series beyond its current Soloist™ and Virtuoso™ models, reinforcing Jackson's commitment to supporting heavy music artists with uncompromising quality instruments. Rhoads' pursuit of precise, architectural solos helped define the template for metal guitar playing that continues to influence generations of players. Embodying the authentic Rhoads DNA, this American-made guitar is engineered for shredding perfection.

“The American Series Rhoads was created to bring the legendary shape that metal guitarists have coveted for decades to a new generation,” said Jon Romanowski, VP of Product, Jackson. “Built in the U.S., this premium guitar is engineered for players who demand uncompromising metal tone and performance.”

The American Series Rhoads is available in two models: the RR24 and RR24 HT, with the bridge being the main difference between them. The RR24 HT features a Hipshot hardtail bridge made for rock-solid tuning stability and ease of use for string changes or for drop tunings on the fly. This guitar is available in Satin Black and Snow White. The RR24 takes a different approach with its recessed 1500 Series Floyd Rose® double-locking tremolo system for dive bombs, squeals and flutters while staying in tune through brutal playing. This tremolo-equipped model is available in Satin Black, Matte Army Drab and Snow White.

To introduce the legendary American Rhoads series, Jackson has partnered with metal virtuosos and signature artists, Brandon Ellis and Jeff Loomis. Both Ellis and Loomis continue to leave an indelible mark on the metal genre through their revolutionary playing styles and technical mastery. The Rhoads shape continues to empower guitarists to push the boundaries of heavy music, delivering crushing tone and uncompromising performance. This collaboration reinforces Jackson's commitment to supporting the artists who define modern metal while honoring the legacy of one of guitar's most influential innovators.

“This axe embodies everything the Jackson name has always stood for to me,” said Brandon Ellis. “It's built for metal and speed, and comes 100% tour-worthy right off of the shelf, with bulletproof American construction, high quality specs and hardware and contemporary upgrades. The easily accessible spokewheel adjusted truss rod, push-in style tremolo bar, stainless steel Floyd Rose upgrades, glow in the dark side dots and locking tuners are all huge quality of life improvements for performing musicians like myself. I have the matte finished olive drab version which both feels amazing in my hands and looks killer on anybody who wields this classic, sharp-angled, metal beast of a guitar!”

“The American Series Rhoads is an amazing metal masterpiece!” said Jeff Loomis. “Aggressive looks with killer playability all over the neck, this guitar really stands out. Partnering with Jackson again to showcase this guitar with Brandon Ellis was a total blast and unforgettable experience.”

Watch these legends unleash their metal prowess: Presenting the American Series Rhoads Feat. Jeff Loomis & Brandon Ellis | Jackson Guitars. High-resolution product and lifestyle images of the American Series Rhoads RR24 can be found HERE. Full product descriptions and specifications of the American Series Rhoads RR24 can be found HERE.

AMERICAN SERIES RHOADS RR24

($2,849.99 – $2,899.99 USD, £2,249 GBP, €2,649 EUR, $5,149 – $5,249 AUD, ¥528,000 JPY)

The RR24’s offset Rhoads alder body turns heads with its sleek, weapon-like contours while providing resonant, lively tone. Its neck-through-body three-piece maple neck with graphite reinforcement delivers supreme stability and sustain. 24 Jumbo stainless-steel frets top the 12”-16” compound radius ebony fingerboard allowing effortless bending across the entire fretboard. For tone that’s tight yet expressive, we’ve equipped the RR24 with Seymour Duncan® JB and ‘59 humbuckers. These USA-made pickups roar with thick distortion when you dig in, cleaning up nicely for singing leads. The recessed 1500 Series Floyd Rose® double-locking tremolo system lets you execute dive bombs, squeals and flutters while staying in tune through heavy abuse.

AMERICAN SERIES RHOADS RR24 HT

($2,729.99 – $2,779.99 USD, £2,199 GBP, €2,599 EUR, $4,949 – $5,049 AUD, ¥517,000 JPY).

The RR24’s offset Rhoads alder body turns heads with its sleek, weapon-like contours while providing resonant, lively tone. Its neck-through-body three-piece maple neck with graphite reinforcement delivers supreme stability and sustain. 24 Jumbo stainless-steel frets top the 12”-16” compound radius ebony fingerboard allowing effortless bending across the entire fretboard. For tone that’s tight yet expressive, we’ve equipped the RR24 HT with Seymour Duncan® JB and ‘59 humbuckers. These USA-made pickups roar with thick distortion when you dig in, cleaning up nicely for singing leads. The Hipshot® hardtail bridge makes for rock-solid tuning stability, and ease of use for string changes or for drop tunings “on the fly”.

California metal giants Deftones returned this year with Private Music, their first album in five years. In support of it, they ripped across North America on a string of headline shows and support slots with System of a Down.

We linked with Deftones guitarist Steph Carpenter for a Rig Rundown back in 2013, but a lot has changed since then (and as Carpenter reveals in this new interview, he basically disowns that 2013 rig). Back in August, PG’s Chris Kies caught up with Carpenter again ahead of the band’s gig in Milwaukee, Wisconsin, where the guitarist gave us an all-access walkthrough of his current road rig.

Brought to you by D’Addario

Blue Battle-Axe

This headless, color-shifting Kiesel Vader 8 was the first Kiesel that Carpenter got his hands on.

Kiesel Kavalcade

Carpenter requested Vader models in all-black, all-white, and goldtop finishes, then Jeff Kiesel himself surprised Carpenter with the remainder, including the camo and green sparkle models shown here. Carpenter will choose which guitar to use based on how he’s feeling each evening. To record Private Music, he switched between his trusty ESPs and these new favorites.

Steph’s Selections

One of Carpenter’s two guitar vaults is full of his current favorite ESPs. Of those, this glow-in-the-dark version, along with the pink-finish model, is his top pick. Curious about his pickup configuration? It’s got nothing to do with sound; it’s purely based on how guitarists like Vivian Campbell and Adrian Vandenberg set up their guitars. Carpenter loved the look, so he copied it.

Back to Bogners

Carpenter says he’s had “too many fails” relying on a completely digital rig, so these days he rolls with a hybrid setup designed by his tech, Greg Dubinovskiy, and Dave Friedman, the latter of whom built the rig.

It’s based around these KT88-loaded Bogner Uberschall Uber-Ultra heads, which are wired to two Bogner 2x12 UberKabs (with one Celestion V-30 and one G12T-75 each) and two Bogner 4x12 UberKabs (with two V-30s and two G12T-75s in an X pattern). A Shure Nexus 57 and Shure KSM32 are used to capture the amp sound.

Rack Rundown

Beside the Bogner’s, another rack houses a Shure AD4Q, Radial JX 44, and a Fractal Axe-Fx II. (Carpenter has no desire to upgrade to the latest model.) Lower down, there’s a pair of Rivera Mini RockRecs.

Most of Carpenter’s pedals are shelved below these units, including an Eventide H9, Boss FZ-1, ZVEX Fuzz Factory, custom ZVEX Machine, , Pigtronix Gatekeeper, Xotic SP Compressor, Strymon Mobius, Strymon BigSky, Strymon Timeline, and TC Electronic TC 2290. A Voodoo Lab Hex powers the pedal party.

Steph Carpenter’s Pedalboard

Carpenter’s Line 6 Helix unit is the brain of his setup, and handles all switching. Also on hand are a DigiTech Whammy Ricochet, a Dunlop Volume (X) Mini pedal, and a TC Electronic PolyTune 3 Noir.

Source Audio, a leader in next-generation guitar and bass effects pedals, proudly introduces the Encounter Ambient Delay+Reverb, a fully loaded, dual-engine effects pedal designed to unlock immersive, atmospheric soundscapes. Building upon the legacy of Source Audio’s award-winning Collider Delay+Reverb, the Encounter features dual signal processing, allowing users to combine any two of the pedal’s six delay and six reverb effects. Where the Collider focused on classic delay and reverb effects, Encounter ventures into uncharted tonal territory, delivering new, otherworldly effects for guitar, bass, synth, and adventurous sound designers of all kinds.

“You asked, so we delivered!” says Roger Smith, President of Source Audio. “Ever since the release of the Collider Delay+Reverb, players have asked us to push further — into more adventurous, exploratory delay and reverb textures. Encounter answers that call. It opens up an expansive new universe of sonic possibility, combining reimagined classics with brand-new algorithms that explore both the familiar and the beautifully unknown.”

At the heart of the Encounter are six delay and six reverb engines that can be used individually or combined in pairs — this includes dual delay and dual reverb setups. Users can route dual effect combinations in series, parallel, or split stereo, with independent footswitch control for each engine, effectively offering the power of two pedals in one easy-to-navigate enclosure. Stereo ins and outs, full MIDI implementation, 8 onboard preset slots (128 presets with MIDI), external expression control, and seamless integration with Source Audio’s free Neuro 3 editing software for iOS, Android, macOS, and Windows further elevate the pedal’s flexibility and creative potential.

The Encounter’s effects collection features brand-new engines such as Hypersphere, a gravity-defying ambient reverb inspired by infinite spatial reflections, Kaleidoscope, a cascading, harp-like delay effect, and Shimmers, a rich, dual-pitched shimmer reverb designed for lush harmonic layering.

Modernized favorites from Source Audio’s acclaimed Ventris Dual Reverb and Nemesis Delay ADT also make a return — Reverse, Lo-Fi, Trem Verb, and Swell reverbs, along with Helix, Drum Echo, Noise Tape (based on the Roland Space Echo) and Resonant delays — all reimagined with expanded parameter control.

In addition, musicians can preview and explore the sounds and editing capabilities of the Encounter before purchasing the pedal, using the Neuro 3’s new SoundCheck™ feature. Neuro 3 is Source Audio's entirely free effects editing, preset sharing, and organizing software. SoundCheck features prerecorded, unaffected guitar, bass, keyboard, and drum loops that can be played through bit-perfect replications of Source Audio One Series pedals. Users can audition presets or use the effect editor and hear changes in real-time, using only a smartphone or computer.

Adding to the company’s lineup of premium US-made pickups, Brickhouse Toneworks has introduced the Mason Deluxe P.A.F. pickup. Available individually or in matched sets, the Mason Deluxe delivers the classic, exquisitely balanced tone of a vintage 1960s P.A.F. humbucker with added bite. They are a direct drop-in replacement for standard sized humbuckers.

Sporting AlNiCo 4 magnets for enhanced attack and articulation, the Mason Deluxe P.A.F. has the clarity of a lower wind with the power of a fuller wind. Pickup master David Shepherd designed the pickup with two slightly different wire thicknesses on each coil, along with carefully calibrated asymmetrical coils, to bring out the maximum frequencies and dynamic range possible.

Expanding on the legacy of Brickhouse Toneworks’ highly regarded 1960 P.A.F. and Semi 60 P.A.F. humbuckers, the Mason Deluxe P.A.F.'s deliver a unique tonal profile characterized by a chimey, bell-like clarity and exceptional articulation. The sound is both smooth and responsive, with a dynamic range that allows for a sweet, rolled-off tone as well as a powerful, aggressive distortion. A defining feature is the rich, harmonic overtones that bloom and sustain, providing a heightened sense of depth and dimensionality. The pickups also exhibit a slight microphonic effect, which enhances pick attack definition. This results in a complex, yet clear sound—fat and woody in the neck position, and sparkling with pronounced punch and tonal definition in the bridge.

The result: an extraordinarily responsive P.A.F. humbucker with a transparent and open sound, allowing the guitar and player's natural tone to be the star of the show.

Key Features of the Mason Deluxe:

• AlNiCo 4 Roughcast Long Bar Magnets, Unpotted Coils
• Vintage Correct Long Leg Frames and Butyrate Plastic Bobbins
• Vintage Correct Alloys, Coil Wire and Braided Single Conductor Leads
• Vintage Correct Hand Ground, Hand Buffed P.A.F. Covers
• DC Resistance - Bridge: 8.1k (Average)
• DC Resistance - Neck: 7k (Average)
• Made in the USA with premium quality materials

The Brickhouse Toneworks Mason Deluxe P.A.F. street price starts at $195 each and starts at $390 per set. Visit www.brickhousetone.com or contact info@brickhousetone.com for more information and order yours directly.

Mad Cat!—The 2 X EL84, 20-watt Ocelot can breathe fire when it’s not sounding silky smooth. The Ocelot brings together the warmth of pure analog tube circuitry with advanced digital features, redefining what’s possible in a small-format amp. Whether you're recording at home, gigging, or practicing silently with headphones, the Ocelot adapts to your environment without ever compromising your tone.

Channel 1 features sparkling, high-headroom cleans with the ability to nudge into rich edge-of-breakup tones via a Hi/Lo mode switch. Channel 2 brings tight, punchy crunch and full-bodied, high-gain saturation—with articulate response and massive sustain.

Each channel has its own volume control, and the amp includes shared Treble, Mid, Bass, and Presence EQ for easy tone shaping.

Two Notes Torpedo DynIR integration with six onboard virtual cabinet presets from the official Bad Cat DynIR Pack. Selectable Power Modes – Choose between 20W for full punch or 1W for quiet playing. XLR and Headphone Outs – For silent practice or direct-to-DAW recording, complete with Cab Sim and adjustable Cab Level control. Buffered Effects Loop – Keep your pedals sounding pristine and punchy. USB-C Port – For firmware updates and remote editing via Two notes Torpedo Remote software. MIDI Control – Full MIDI implementation for switching channels, modes, and cab presets on the fly. And thanks to its internal speaker load, you can use the Ocelot without an external cabinet—perfect for late-night jams or tracking in a silent setup.

EBS is proud to unveil the newly enhanced NeoLine 112 Mk2 bass cabinet, now shipping with key upgrades that bring even more power, low-end, and reliability to the stage.

The first significant change: the cabinet is now 4 inches deeper, offering a noticeable improvement in low-end response, projection, and overall tonal richness. This enhancement ensures that today's bassists get the punch and presence they need from a compact cabinet, whether they're in the studio, on tour, or pushing the limits live.

Second, EBS has swapped out the previous flip handles in favor of a single heavy-duty deep-dish handle. This small but significant upgrade helps eliminate the risk of rattling noise, making the cab perform securely even at high volumes, while also improving durability and ease of transport.

Third, the high-performance tweeter is now isolated and sealed from the rest of the cabinet, which also helps to reduce the risk of noise due to the sound pressure within the cabinet.Despite the deeper cabinet, and due to the Neodymium speakers and choice of wood, it remains a lightweight cabinet, weighing in at 14.35 kg (31.6 lb).

Already a favorite for its lightweight construction and road-ready build, the updated NeoLine 112 (Mk2) now delivers even greater performance with no compromises. It's a compact speaker for serious players. Despite the improvements, the price remains intact.

The updated NeoLine 112 Mk2 is available now.

Find out more at https://ebssweden.com/cabs/neoline/

Today, Fender is expanding its acclaimed Vintera® II series with a Limited Edition Road Worn® lineup, era-correct classics from the ‘50s and ‘60s pair vintage-inspired designs and modern upgrades with the lived-in look of a well-loved instrument. Each model features a new subtle aging process—light checking, gentle wear patterns, and a semi-gloss finish—delivering unmistakable vintage feel and unmatched sound of a classic Fender®.

Limited Edition Vintera® II Road Worn® ‘60s Stratocaster®

($1,599.99 USD, £1,349 GBP, €1,599 EUR, $2,649 AUD, ¥269,500 JPY)

Featuring a variety of vintage colors finished in Road Worn® aged nitrocellulose lacquer, the Vintera® II Road Worn® ‘60s Stratocaster® recreates the look and feel of a well-played classic. The limited Road Worn models are enhanced with a new subtle aging process combining light checking, gentle wear patterns and a semi-gloss finish, while maintaining the authentic broken-in feel players love about vintage Fenders. The ‘60s “C”-shape maple neck with 7.25” radius rosewood fingerboard and vintage-tall frets provides supreme comfort and outstanding feel. Under the hood, you’ll find a trio of vintage-style ‘60s pickups that deliver all the warm, sparkling tones that made Fender® famous. Other features include a synchronized tremolo with bent steel saddles for expressive vibrato and vintage-style tuning machines for enhanced tuning stability. Options include Rosewood Fingerboard in Sonic Blue and Maple Fingerboard in Black.

Fender Vintera II Road Worn '60s Stratocaster Maple Fingerboard Electric Guitar

Limited Edition Vintera® II Road Worn® ‘60s Telecaster®

($1,599.99 USD, £1,349 GBP, €1,599 EUR, $2,649 AUD, ¥269,500 JPY)

Featuring a variety of vintage colors finished in Road Worn® aged nitrocellulose lacquer, the Vintera® II Road Worn® ‘60s Telecaster® recreates the look and feel of a well-played classic. The limited Road Worn models are enhanced with a new subtle aging process combining light checking, gentle wear patterns and a semi-gloss finish, while maintaining the authentic broken-in feel players love about vintage Fenders. The ‘60s “C”-shape maple neck with 7.25” radius rosewood fingerboard and vintage-tall frets provides supreme comfort and outstanding feel. Under the hood, you’ll find a pair of vintage-style ‘60s pickups that deliver all the crystal-clear chime and raw, steely twang that made Fender® famous. Other features include a vintage-style 3-saddle bridge with slotted steel saddles and vintage-style tuning machines for enhanced tuning stability. Options include Rosewood Fingerboard in Burgundy Mist Metallic and Maple Fingerboard in Blonde.

Fender Vintera II Road Worn '60s Telecaster Rosewood Fingerboard Electric Guitar

Limited Edition Vintera® II Road Worn® ‘50s Jazzmaster®

($1,699.99 USD, £1,399 GBP, €1,649 EUR, $2,799 AUD, ¥275,000 JPY)

Featuring a variety of vintage colors finished in Road Worn® aged nitrocellulose lacquer, the Vintera® II Road Worn® ‘50s Jazzmaster® recreates the look and feel of a well-played classic. The limited Road Worn models are enhanced with a new subtle aging process combining light checking, gentle wear patterns and a semi-gloss finish, while maintaining the authentic broken-in feel players love about vintage Fenders. The ‘50s “C”-shape maple neck with 7.25” radius rosewood fingerboard and vintage-tall frets provides supreme comfort and outstanding feel. Under the hood, you’ll find a pair of vintage-style ‘50s single-coil pickups that deliver all the sweet and sparkling, warm and woody tone that made Fender® famous. Other features include a vintage-style floating tremolo for expressive vibrato and vintage-style tuning machines for enhanced tuning stability. Options include Rosewood Fingerboard in 3-Color Sunburst and Rosewood Fingerboard in Fiesta Red.

Limited Edition Vintera® II Road Worn® ‘60s Precision Bass®

($1,599.99 USD, £1,399 GBP, €1,649 EUR, $2,649 AUD, ¥269,500 JPY)

Featuring a variety of vintage colors finished in Road Worn® aged nitrocellulose lacquer, the Vintera® II Road Worn® ‘60s Precision Bass® recreates the look and feel of a well-played classic. The limited Road Worn models are enhanced with a new subtle aging process combining light checking, gentle wear patterns and a semi-gloss finish, while maintaining the authentic broken-in feel players love about vintage Fenders. The ‘60s “C”-shape maple neck with 7.25” radius rosewood fingerboard and vintage-tall frets provides supreme comfort and outstanding feel. Under the hood, you’ll find a vintage-style ‘60s split-coil Precision pickup that delivers all the warm, dynamic and powerful tone that made Fender® famous. The vintage-style 4-saddle bridge and vintage-style tuning machines provide classic looks with enhanced intonation and tuning stability to complete the package. Options include Rosewood Fingerboard in Fiesta Red and Charcoal Frost Metallic.

Gibson is proud to introduce five new acoustic reissues for the Gibson Custom Murphy Lab Light Aged acoustic collection, delivering well-worn favorites, built brand new, with the look, tone, and played-in feel of cherished vintage originals.

Each one of the five new additions to the Gibson Custom Murphy Lab Light Aged acoustic collection is a masterfully crafted reproduction of a cherished Gibson acoustic guitar model from Gibson’s first Golden Era. The Murphy Lab Light Aged acoustic lineup from Gibson Custom all feature either red spruce or Sitka spruce tops that have been thermally aged to give them the sound of a well-seasoned vintage guitar. The new additions to our Murphy Lab Light Aged lineup of vintage acoustic reissue models feature light lacquer checking, light dings, pick trails, and rounded fretboard edges, giving them the tone, look, and played-in feel of cherished vintage originals. Gibson Custom Murphy Lab Light Aged acoustic guitars are well-worn favorites, built brand new.

Explore the full Gibson Custom Murphy Lab Light Aged acoustic collection, now available worldwide on Gibson.com HERE.

Each acoustic guitar in the Murphy Lab Light Aged collection comes with an era-correct hardshell guitar case that corresponds with the style of case that was in use when that model was released, adding to the vintage ownership experience.

1929 Nick Lucas Special Light Aged

A small-bodied legend with a big voice

Nick Lucas, known as “The Crooning Troubadour,” was a pioneering entertainer of the 1920s—one of the first to record guitar solos and perform with a guitar on the radio. His influence helped elevate the guitar as both a solo and accompaniment instrument. In 1926, Gibson honored Lucas’s request for a custom design, resulting in the Nick Lucas Special—the company’s first artist signature model, featuring a deeper body for enhanced bass response and tonal richness.

Now, Gibson Custom proudly introduces the 1929 Nick Lucas Special Light Aged, a stunning recreation of this historic model. Built with a deeper mahogany body shaped like the L-00, it features a thermally aged red spruce top, gold sparkle multi-ply binding, and a matching L-2 style rosette. The mahogany neck joins the body at the 12th fret and has a C-shaped profile. The bound rosewood fretboard is equipped with 20 frets and is adorned with mother-of-pearl Nick Lucas inlays with engraved details. Gold Waverly tuners with ivoroid oval buttons are installed on the headstock, which also features a vintage-style “The Gibson” logo in mother-of-pearl. Finished in Argentine Grey with Murphy Lab Light Aging, it captures the look and feel of a well-loved original. Housed in a Red Line-style case, this model delivers timeless tone and unmatched character.

1963 Dove Light Aged:

All the tone, charm, and character of a vintage Dove—reborn

First introduced in 1962, the Gibson Dove™ quickly became an icon of the square-shoulder acoustic family, following the Hummingbird™. With its bold voice and distinctive look, the Dove has been favored by legends like Elvis, Tom Petty, and Alex Lifeson. Now, Gibson Custom proudly presents the 1963 Dove Light Aged—a meticulous recreation of the early Dove models, crafted to deliver vintage tone and feel in a brand-new instrument.

Featuring a thermally aged Sitka spruce top with traditional scalloped X-bracing and beautifully flamed maple back and sides in a Cherry finish, this Dove sings with clarity and power. The mahogany neck has a comfortable Round profile, paired with an Indian rosewood fretboard adorned with mother-of-pearl parallelogram inlays. A longer 25.5” scale length and maple body give it a bright, full voice that stands apart from the Hummingbird.

Details like the rosewood Dove bridge with inlaid doves, engraved pickguard, and Kluson® Waffleback tuners complete the vintage aesthetic. Lightly aged by the Murphy Lab, it offers the look and feel of a well-loved original and comes housed in a vintage-style black hardshell case for the full Gibson Custom experience.

1955 J-45 Light Aged:

A faithful tribute to the mid-50s Workhorse

First introduced in 1942, the Gibson J-45™ quickly earned its nickname, “The Workhorse,” for its straightforward design, warm tone, and unmatched versatility. By 1955, key updates—like a longer fretboard with 20 frets and a larger pickguard—helped define the model’s enduring legacy. Today, it remains one of the most recorded and best-selling acoustic guitars of all time.

The 1955 J-45 Light Aged from Gibson Custom is a masterfully handcrafted recreation of this pivotal model, built in Bozeman, Montana. It features a round-shoulder mahogany body with a thermally aged Sitka spruce top and traditional X-bracing installed with hide glue for vintage tone and resonance. The mahogany neck has a comfortable Round profile and is joined with a compound dovetail neck joint. A rosewood fretboard with mother-of-pearl dot inlays, bone nut and saddle, and vintage-style Grover® strap tuners complete the classic look.

Finished with Murphy Lab’s Light Aging treatment and lightly aged hardware, it captures the feel of a well-played original. Packaged in a 1950s-style Lifton™ hardshell case, the 1955 J-45 Light Aged delivers the authentic tone, vibe, and craftsmanship of Gibson’s Golden Era.

Pre-War SJ-200 Rosewood Light Aged:

All the vibe, feel, and vintage allure of the rare rosewood Pre-War Super Jumbo

Originally introduced in 1937, the Gibson SJ-200™ quickly earned its title as “the King of the Flat-Tops” thanks to its bold sound, impressive projection, and commanding presence. Early models featured rosewood back and sides, but due to limited demand during the post-Depression era, production numbers remained low—making these early rosewood-bodied SJ-200s highly sought-after by collectors today. Gibson Custom now proudly presents the Pre-War SJ-200 Rosewood Light Aged, a meticulous recreation of those rare originals. It features a thermally aged red spruce top with traditional scalloped X-bracing, rosewood back and sides with a three-rope marquetry strip, and ornate multi-ply binding throughout. The AAA maple neck includes a walnut stringer and stinger detail, while the ebony fretboard and bridge are adorned with mother-of-pearl inlays. Gold Grover® Imperial™ tuners and a tortoise pickguard with multi-colored dots complete the look.

Finished with Murphy Lab’s Light Aging treatment and housed in a period-correct Red Line case, this model captures the spirit and craftsmanship of Gibson’s Golden Era—delivering vintage tone, feel, and aesthetic in a stunning modern build.

1957 SJ-200 Light Aged:

All the vibe, feel, and vintage allure of the iconic 1950s Super Jumbo

Introduced in 1937, the Gibson SJ-200 earned its reputation as “the King of the Flat-Tops” for its bold tone, powerful projection, and striking presence. By 1947, maple replaced rosewood for the back and sides, and the SJ-200 became a favorite among legends across genres—from Hollywood cowboys to rock royalty. Today, vintage 1950s models are prized by collectors.

Gibson Custom now presents the 1957 SJ-200 Light Aged, a faithful recreation of this celebrated era. It features a thermally aged Sitka spruce top with scalloped X-bracing installed using hide glue, AAA flamed maple back and sides with a checkerboard marquetry strip, and ornate multi-ply binding. The AAA maple neck includes a walnut stringer and stinger detail, while the rosewood fretboard and Moustache™ bridge are adorned with mother-of-pearl inlays. Gold Gotoh® tuners and a classic tortoise pickguard complete the vintage aesthetic.

Finished with Murphy Lab’s Light Aging treatment and paired with lightly aged hardware, this model captures the look and feel of a well-played original. It comes housed in a period-correct 1950s-style Lifton™ case, delivering an authentic vintage experience only Gibson Custom can offer.

Brooklyn-based jazz-rock innovators Alex Skolnick Trio (AST) return this fall with PROVE YOU’RE NOT A ROBOT, the group’s sixth LP, arriving November 7, 2025. The album’s first single, a wildly inventive take on Tom Petty’s “Breakdown,” is available today. Listen here.

Blending fearless improvisation, genre-defying arrangements, and the virtuosity of its members, PROVE YOU’RE NOT A ROBOT captures AST at the height of their creative powers. The title reflects both a wry nod to our tech-saturated era and a deeper meditation on humanity, direct interaction, and the irreplaceable spark of live musicianship in an age of artificial intelligence.

Recorded with a range of vintage and custom instruments — from a Roger Sadowsky archtop to a 1935 Gibson L-00 acoustic — the album spans moods from the uplifting “Guiding Ethos” to the mind-bending Chick Corea/Steve Howe mashup “Armando’s Mood.” Alongside Skolnick’s inventive guitar work, bassist Nathan Peck and drummer Matt Zebroski bring rhythmic complexity and emotional depth, with odd-time signatures and genre twists that have become AST hallmarks.

“I feel this album represents my strongest work as a composer,” says Skolnick. “Nathan and Matt really brought their A-game throughout. I think it’s safe to say this is the record we’re all most proud of.”
Since forming in the early 2000s, AST has reimagined the jazz guitar trio, melding influences as far-reaching as Wes Montgomery, Black Sabbath, Prince, tango, calypso, and Western swing. Known for their adventurous covers of rock and metal classics, they’ve earned praise from outlets like Billboard, Downbeat, Jazziz, The Village Voice, and NPR, and have toured internationally, captivating audiences from Norway’s Larvik Guitar Festival to Paris’s The Olympia and New York’s Radio City Music Hall.

PROVE YOU’RE NOT A ROBOT promises to be a bold addition to the AST legacy — as engaging for jazz aficionados as it is for rock fans curious about the inventive, genre-bending journey of Testament original guitarist Alex Skolnick.

Album Release Date: November 7, 2025
First Single “Breakdown” Release Date: September 12, 2025

PROVE YOU’RE NOT A ROBOT Tracklist

1. Parallel Universe
2. Armondo’s Mood
3. Infinite Hotel
4. Prove You’re Not A Robot
5. Guiding Ethos
6. Breakdown
7. The Polish Goodbye
8. Asking For A Friend

AST on Tour
September 30 - New York, NY, The Cutting Room (Album launch party)
November 15 - Montreal, QB, Piranha Bar
November 16 – Ottawa, ON, Brass Monkey
November 17 – Pittsburgh, PA. City Winery
November 19 – Detroit, MI, Token Lounge
November 20 – Chicago, IL. Reggie’s
November 21 – Cleveland, OH, Irishtown Bend Tap Room
November 22 – Buffalo, NY, Nietzsche’s
November 23 – Anniville, PA, The Allen Theatre
2026
January 8 – The Woodlands, TX, Dosey Doe
January 9 – McKinney, TX, Guitar Sanctuary
January 11 – San Antonio, TX, Fitzgerald’s
January 13 – Los Angeles, CA, Baked Potato
January 14 – Sacramento, CA, Harlow’s
January 15 – Seattle, WA, Funhouse
January 16 – Portland, OR, Jack London Revue
January 17 – Redding, CA, The Dip
January 18 – Mill Valley, CA, Sweetwater Music Hall
Alex Skolnick Trio is:
Alex Skolnick – Guitar
Matt Zebroski – DrumsNathan Peck - Bass

D’Addario announces the launch of the Players Choice Custom String Shop, a new online tool that lets players design their own string sets, all backed by D’Addario’s long-standing quality and craftsmanship.

Available exclusively on daddario.com, the platform allows players to select their instrument of choice and then choose from the most popular gauges and alloys across electric and acoustic guitar strings. Even better, no minimum order is required. Custom sets can be saved to a Players Circle profile for fast reorders, and every purchase you make in the Custom String Shop earns Players Circle rewards points.

From the Visionary Behind D’Addario 

“Musicians looking for their ‘perfect string set’ need an intuitive way to experiment on screen and find the perfect combination of gauges and alloys to satisfy their requirements,” said legendary founder Jim D’Addario.

“We created the Players Choice Custom String Shop to satisfy everyone’s customization needs.”

Availability & Pricing

Players Choice Custom String Shop is available in the USA, Canada, and Europe, where Players Circle is available. Prices start at $10.30 for electric sets and $11.70 for acoustic sets.

Key Highlights

• Build custom sets for electric and acoustic guitars now, with support for more instruments coming in the future
• Choose from our most popular gauges and alloys, including the lightest and heaviest gauges, and even half gauges
• Design sets for standard 6- and 12-string guitars, as well as extended-range 7-, 8-, and 9-string guitars
• Choose from our most popular strings, including industry-standard XL, Chromes, and Phosphor Bronze strings. Or upgrade to premium NYXL and XS coated options
• Name your set, printed right on the label
• No minimum order quantity
• Save, reorder, and earn Players Circle rewards

Learn more! www.daddario.com/custom-strings

Hit-making guitarist Mike Scott—who’s worked with everyone from Justin Timberlake to Janet Jackson—showed up in Minneapolis from his hometown of D.C. and started snatching everyone’s gigs. Soon, he ended up at Paisley Park, jamming with the man himself and joining his band, New Power Generation.

This masterful storyteller joins 100 Guitarists to talk all things Prince, cracking us up along the way with firsthand recollections of playing onstage and in the studio, the only time he played the “Purple Rain” solo live, and some insight on Prince and his gear.

Thanks to our sponsor EMG

LEARN MORE! emgpickups.com

Hit-making guitarist Mike Scott—who’s worked with everyone from Justin Timberlake to Janet Jackson—showed up in Minneapolis from his hometown of D.C. and started snatching everyone’s gigs. Soon, he ended up at Paisley Park, jamming with the man himself and joining his band, New Power Generation.

This masterful storyteller joins 100 Guitarists to talk all things Prince, cracking us up along the way with firsthand recollections of playing onstage and in the studio, the only time he played the “Purple Rain” solo live, and some insight on Prince and his gear.

Thanks to our sponsor EMG

LEARN MORE! emgpickups.com