I Heart Guitar
PRESS RELEASE: TOLEDO, OH (June 14, 2017) – Reverend Guitars and Matt West united to create a signature model just in time for Neck Deep’s Warped Tour jaunt. Based on the Jetstream platform that West loves, the guitar has a single Reverend CP90 pickup and a Wilkinson tremolo. It’s topped off with a reverse headstock and West’s wizard logo on the back. The model is available in Midnight Black and Powder Yellow, both with tortoise pickguards. The guitar will be released this Friday, June 16, 2017, in conjunction with West’s Warped Tour appearance.
Matt West is a member of the Welsh pop-punk band, Neck Deep, known for their intense and philosophical lyrics as much as their riff-driven music. The band is about to embark on the Vans Warped Tour for the entire US run. They will release their third studio album, The Peace and the Panic, on August 18, 2017.
On all Reverend Guitars, there is a Boneite nut and locking tuners, Reverend’s Bass Contour Control, and a dual-action truss rod – all for maximum performance. You can’t be different if you’re playing what everyone else is. Visit www.reverendguitars.com to start your journey towards being an individual.
PRESS RELEASE: AKRON, Ohio — Ohio-based extra special effects pedal manufacturer EarthQuaker Devices will host the second-annual EarthQuaker Day festival at their downtown Akron facility (350 W. Bowery St.) on Saturday, August 5, 2017 from 1:00pm until 8:00pm.
The company, proudly based in Akron, Ohio since 2004, invites music lovers of all ages to converge upon their facility for a day of live music, product demonstrations, local business and art exhibitions, guided workshop tours, food from local favorites the Square Scullery and Nuevo, coffee by Kent’s Bent Tree Coffee Roasters, Dippin’ Dots ice cream, discounted EarthQuaker Devices B-stock, door prize giveaways, the PRS Guitars Riff Contest, fun, and games. The event is free and open to the public.
Each attendee will receive a raffle ticket upon entry for a chance to win one of several door prizes, including contributions from Moog Music, MakeNoise, the Nightlight Cinema, the Akron Symphony Orchestra, SIT Strings, the Akron Civic Theater, Summit Artspace, DeMarco School of Music, Good Life Tattoo, Tri-C Recording Arts & Technology, and more.
One of the 2016 highlights was the Riff Contest, which thanks to the generous sponsorship of the Maryland-based PRS Guitars, will receive a significant prize upgrade. This year’s winner will take home a PRS SE Custom 24 guitar valued at $759, in addition to EarthQuaker Devices’ Erupter and Ghost Echo v3 effects pedals, an EarthQuaker Devices swag pack, and a first place trophy. Contestants will receive 30 seconds to impress a panel of celebrity judges with their best riffs performed through an assortment of EarthQuaker Devices pedals. Participants must pre-register at www.earthquakerdevices.com/eqdayand check-in on the day of the event. Limited to 20 entries. Contest begins promptly at 5:15pm on the Lawn Stage. The 2017 celebrity judges include:
- Juan Alderete – bassist in Halo Orbit, Deltron 3030, Racer X, the Mars Volta, Juliette Lewis
- Nick Reinhart – guitarist in Tera Melos, Big Walnuts Yonder
- Jamie Stillman – EarthQuaker Devices founder, president, and product designer, guitarist in Relaxer, the Party Of Helicopters, Drummer
EarthQuaker Day 2017 will feature original music and covers performed by EarthQuaker Devices employees, including:
- Suffer Little Children (The Smiths tribute)
- Crystal Visions (Fleetwood Mac tribute)
- Thelma & the Sleaze (Nashville, TN)
- Fringe Candidate
- EYE (Columbus, OH)
Effects pedal clinics and Q&A sessions include:
- Marc Lee Shannon (Michael Stanley & the Resonators) – Using Pedals with Acoustic & Folk Instruments
- Nick Reinhart – Guitar Clinic
- Juan Alderete – Bass Clinic
- Nick Reinhart / Juan Alderete / Jamie Stillman – Roundtable Discussion & Jam
Other notable additions to this year’s festival include a dunk tank, a cash grab machine, and, courtesy of 91.3 the Summit FM, EarthQuaker Day 2017 will be an official MusicAlive Donation Station where attendees may donate their new or gently-used instruments to help keep music in our schools and place instruments in the hands of Akron Public Schools students in need.
The official EarthQuaker Day 2017 after party begins at 8pm at Annabell’s Bar & Lounge (784 W. Market St.) and will feature performances by Black Sabath and This Moment In Black History.
To celebrate the occasion, participating retailers in the United States will offer EarthQuaker Devices products at a 15% discount on August 5, 2017.
EarthQuaker Devices is a manufacturer of hand built guitar effects pedals that has been based in Akron, Ohio since 2004. The company, which began as a one-man basement workshop operation is now an award-winning multimillion-dollar international phenomenon with clients ranging from bedroom rock gods to Grammy Award winners.
EarthQuaker Devices would like to thank each and every one of our sponsors from the bottom of our hearts. Your kindness and generosity makes us proud to be from Akron, Ohio, and we appreciate your contribution to this celebration of Northeast Ohio’s creativity, talent, and passion more than you will ever know. EarthQuaker Day 2017 sponsors include:
- 91.3 the Summit FM
- Rock & Recovery
- Circle Prime Manufacturing
- Dr. Z Amplification
- Hoppin’ Frog Brewery
- PRS Guitars
- Pro Guitar Shop
- Tri-C Recording Arts & Technology
- Chicago Music Exchange
- The Devil Strip
- Gotta Groove Records
- Guitar Riot
- Mr. Zub’s Deli
- Mustard Seed Market & Café
- Peoples Bank
- Thursday’s Lounge
- Saffron Patch Cleveland
- 91.1 WRUW FM
- Akron Art Museum
- Akron Civic Theatre
- Akron Symphony Orchestra
- Bent Tree Coffee Roasters
- CAD Audio
- Decibel Pedalboards
- DeMarco’s School of Music
- Custom Audio Mutation
- Annabell’s Bar & Lounge
- Warwick / Rockboard
- Graham Fox & Co.
- Human Unlimited
- Make Noise
- Moog Music
- The Nightlight Cinema
- Nuevo Modern Mexican & Tequila Bar
- Birchwood & Pine
- SIT Strings
- Square Records
- Three Anchors Tattoo
- Good Life Tattoo
- Towpath Credit Union
- Wax Mage Records
- The Guitar Department
- Square Scullery Food Truck
What: EarthQuaker Day 2017
When: 1:00pm – 8:00pm, Saturday August 5, 2017
Where: EarthQuaker Devices HQ – 350 W. Bowery St. Akron, OH 44307
Cost: Free, open to the public
PRESS RELEASE: Melbourne rock outfit Drunk Mums return with a new single ‘Ode To Death’ The first single of their forthcoming EP Denim.
The track continues from their recent homage of hard rock and punk heard on their latest release Leather.Taking influence from Johnny Thunders and The Stooges the band takes a step back with this one, or so it seems, considering the lyrics have a pretty bleak undertone. Don’t let that fool you though, it is still something you could probably show ya parents and hell they’d probably like it too.
‘Ode To Death’ is true to the Drunk Mums rock, punk, garage sound which has been witnessed in previous tracks ‘Plastic’ and ‘Nanganator’. Following the release of ‘Ode To Death’ Drunk Mums will roll out a small Australian tour with some of their favourite bands in support.
The four piece, have built a reputation for their rowdy shows over the years, having played at many of the country’s finest festivals: Cherry Rock, Party in the Paddock, Paradise, Sounds of the Suburbs as well as with the likes of Jake Bugg, Dune Rats and Rich Ramone.
Catch ‘Ode To Death’ live in August when Drunk Mums take their Aussie garage rock on the road.
PRESS RELEASE: Amsterdam, The Netherlands (June 20, 2017) — True to its name and purpose, the Phaser pedal for electric guitar has progressed through various musical phases, and across many stages, over the past few decades. Simple in delivery, NEXI Industries’ Phaser (PSR-01) represents the next stage for this effect pedal, with a plug-‘n-play design that makes compatibility a breeze—just like the effect’s signature sweeping and swooshing.
As a modulation, the phaser effect is created by the pedal’s signal processor that receives the input of the guitar and breaks it down into two parts—the first is kept dry, preserving the guitar’s original sound, while the second passes through various stages, creating the “sweeping” effect. NEXI’s analog Phaser is a throwback to the pedal’s earliest days, with a single knob that increases or decreases the speed of the peaks and troughs. Crank it up to “Fast” to create an aggressive swirl for heavy rock or metal, or turn it down to “Slow” for a lush sweep that’s ideal for ballads, reggae, or country.
NEXI’s Phaser was designed by boutique effect pedal creators, the self-declared “Vintage Analog Protection Squad,” who are committed to providing a unique tone without compromise. Like all NEXI pedals, the Phaser is true bypass and hybrid, meaning it can be used standalone with a 9V battery or plugged right into the external power supply of NEXI’s revolutionary pedal board. Aptly named “The Solution,” this heavy-duty board has a two-channel switch and three-step booster to satisfy every guitarist’s ego. It’s also equipped with a built-in tuner and power supply, two charging docks for tablet or smartphone, and covers that protect ports against dirt and beverage spills (splash-proof). Players are free to create those mind-bending swooshes and swirls, knowing that their board—and their Phaser pedal—are safe and sound.
Get a closer look and hear a demo at https://nexi.eu/products/phaser.
PRESS RELEASE: June 21, 2017 — Edmond, OK — Keeley Electronics is proud to announce the Tesla MKIII Fuzz, a vintage voiced MKIII Soviet Germanium fuzz with Keeley attention to detail.
With controls for FUZZ, TONE, and LEVEL the Tesla Fuzz makes it easy for players to dial in very wild amounts of fuzz. Modifications to the circuit allow for an increased high frequency not heard of before as well as ultra-low noise. Furthermore, design modifications have solved temperature problems that can affect vintage fuzz units. This particular bender design has a very vintage tone to it. Pure fuzz, no overdrive. Think late 1960’s and very unrefined.
“Our design team focused on building a MkIII style circuit with a stash of 104NU71 Soviet transistors that Keeley obtained. In this particular NPN Germanium design we focused on bringing out the most amazing attributes of the transistor. The 104NU71 has a super sticky, velcro tone and an incredibly unique bass response” said Robert Keeley, founder and chief engineer, Keeley Electronics. “To achieve this, we employed several technical innovations from our Time Machine Boost and Holy Fuzz designs. We also use techniques to nearly eliminate temperature coefficient problems in germanium designs.”
The Keeley Electronics Tesla MKIII will be released June 22nd at RKFX.com and at select dealers worldwide. Street Price is $149. Visit www.rkfx.com for more information about the full lineup of award-winning Keeley Electronics effects.
Ever since Kiesel announced the Vader headless (via a ‘one image fragment at a time’ social campaign a couple of years ago) I’ve daydreamed about owning one. At at NAMM this year checked out quite a few of them and was really impressed by the weight, balance and resonance. So, with thanks to Jeff and Manny at Kiesel, I’m about to take delivery of my dream Vader. Above is a snippet of a photo that Jeff sent me. There’s actually a very similar V7 on the Kiesel site, but mine has some key differences, and there’s a long and convoluted reason for every wood and colour choice, which I’ll get into in a full review when the guitar arrives. For now, why don’t you head on over to the Kiesel website to check out the various options on the Vader!
“Oh yeah, I was into them back when I used to listen to music.”
“That band is still together?”
“They were the soundtrack to my teenage years.”
I’m a music journalist, and a dad in my late 30s. That means I run into a lot of parents, some my age, most a few years older. It seems that most parents that I run into had their kids later in life than we did, and indeed a lot of my classmates are having their first kids now, while my son is 10. And the sentences quoted above are something I hear a lot when I chat with fellow parents. Inevitably the question of ‘What do you do for a living?’ comes up and I find myself explaining my cool-ass job. And I inevitably hear things like those statements, and others like “I used to listen to heavier bands but I grew out of it” or “I have no time to listen to music now.” It really hit home with the passing of Chris Cornell, when a bunch of friends on Facebook posted things like “You’re my favourite, I used to listen to you all the time,” as if Euphoria Morning wasn’t fucking phenomenal, or like Audioslave didn’t exist, or King Animal wasn’t a thing. That really bummed me out because Cornell continued to make music every bit as vital as those big Soundgarden records. He never went away and his standards never slipped (well, there was that one pop album but even then, dude was following his muse).
I know I’m lucky because my job forces me to listen to new music. It’s the same as in any profession: you can’t really do it to the best of your ability if you’re relying in information that’s 20 years old. Still, it makes me sad that there are people out there who are my age and who would have been raised on the same diet of 90s alternative, industrial, metal, grunge and other now-retro-but-then-nowtro stuff, who think of music as something in their past rather than something that grows with them. The musical nostalgia industry is fuelled by the power of music to make you remember how you felt at the time you first heard it, but there’s no reason you can’t continue to bring new music into your life to serve as the soundtrack to where you are now. Hell, Spotify is like twelve bucks a month. YouTube is free and it’s loaded with new music. It’s so easy now to find out what your old favourite bands are doing today or, even more importantly, to find new ones that can represent you and your feelings.
Something I’ve been doing a lot of lately is going back and listening to things I never really had the access to check out back in the day, when in order to listen to a band you had to either buy the record, hear someone else’s copy or catch it on TV or radio. I loved the Cure songs I saw on the Australian music video show Rage, but my CD money was always spent on metal and shred. Now I’m digging further and deeper into their back catalog and more recent records, and while many of these tracks are over 30 years old and totally new to me, they’re finding a place in my heart that’s every bit as important as Dirt or Passion And Warfare or Fair Warning. Now I’m catching up on bands like The Replacements, or filling in the gaps of my knowledge of The Cure, or getting into Crowded House non-album tracks. But I’m also checking out newer artists like Between The Buried And Me, Rival Sons, St. Vincent, Northlane… and this music, all of which is new to me whether it’s new or not, has its own emotional resonance for my present-day life. I can still always put on Living Colour’s Stain or Ministry’s Psalm 69 to remember how I felt at 16, but I can also put on Ryan Adams’ Prisoner or Periphery’s The Price Is Wrong to capture how I feel today at 38.
My buddy Dean Delray, whose podcast Let There Be Talk is an essential listen, is always talking about this. He always hears folks saying “There are no great bands any more.” There are fucktonnes of them out there. But to hear them you have to own the fact that maybe the music you loved as a teenager wasn’t any more special than the music today’s teenagers are listening to: it’s just that you heard those songs at a time that was special to you, and you’ve associated the excitement of ‘first kiss, first beer, first party’ with those bands as part of one whole package of nostalgia. That’s totally cool, but see it for what it is and let yourself feel the same way about new music that can accompany new moments. Music is vast and beautiful and alive and you don’t need to stop listening to new music the moment you turn 18.