General Interest

Strandberg has made a serious splash at this year’s NAMM Show. And following the unveiling of its MIDI-infused headless Chameleon guitar with Jamstik, the innovative brand has lifted the lid on the Arc TILT, a patent-pending tremolo design for “smooth motion, stable pitch control and a more intuitive playing experience”.

The design is said to reimagine how a tremolo responds to the player, with a redesigned pivot system and tremolo block engineered to move in sync with the bridge, “resulting in a fluid and controlled feel” while maintaining stability.

• READ MORE: NAMM 2026 Live: The latest guitar launches and news from the biggest music gear event on the planet

Touted as a “new way of thinking about tremolo design”, the Arc TILT debuts on two new Strandberg models, the Electric Fuchsia-finished Boden Standard N2.6T, and Black Denim Satin-finished Boden Original N2.6T. 

“The patent-pending Arc TILT tremolo is a groundbreaking innovation,” says Ola Strandberg, Founder and Chief Creative Officer of Strandberg Guitars. 

“It’s a new tremolo platform built around how players interact with the instrument. By rethinking motion, balance, and response, we’ve created something that feels more natural, more expressive, and more inspiring to play, while further advancing our long-standing focus on comfort and modern playability.”

In terms of pickups, the Boden Standard N2.6T and Boden Original N2.6T – the two guitars which feature the new Arc TILT system – are fitted with Seymour Duncan Pegasus and Sentient humbuckers and Fishman pickups, respectively.

You can learn more about the Arc TILT tremolo system at Strandberg.

The post “A new way of thinking about tremolo design”: Strandberg unveils patent-pending new tremolo system, the Arc TILT appeared first on Guitar.com | All Things Guitar.

Expanding on the company’s iconic line of tube-driven guitar amps, Magnatone has introduced four new models at the NAMM Show in Anaheim:

• Kingston and Starlite Reverb 10 – two new entries in the company’s Traditional Collection
• Varsity Reverb – the debut model in Magnatone’s new Point-to-Point Collection
• Lil’ Viper – a stunning addition to the company’s Slash Collection

Leading the pack is the Kingston, a brand new, yet familiar voice, to the Traditional Collection. It’s a boutique amp hand-built and made in the USA that’s destined to become the premiere go-to workhorse amp for the stage or studio.

It delivers that classic and familiar American amp tone, with the legendary Magnatone voice. The Kingston was designed without compromise, offering the tone and character that cements its place among amp royalty.

Designed to be the classic studio and small-gig amp, the Kingston delivers plenty of power for live club performances while also being perfect for recording sessions and home use. Its clean, responsive voice gives players that sought-after creamy yet bouncy tone that stays clear, articulate and musical across all volume spectrums.

The Kingston was developed through a collaboration with Obeid Khan, Magnatone’s Chief Engineer, and Larry Cragg, longtime guitar technician for Neil Young, to be a tonally vintage vibe amplifier in a compact size, but with a big sound pros can rely on.

Larry Cragg says, “The Kingston takes your amp from the bedroom to the stage.”

The Kingston features High and Low sensitivity 1/4” inputs, a simple configuration of Volume, Treble, Bass, and Reverb controls, with Accutronics Digi-Log spring-style reverb. Powered by two 12AX7 preamp tubes and two 6V6 power tubes, the Kingston produces 12 watts of push-pull output through a Magnatone Custom 12” ceramic magnet speaker. Additional features include footswitchable reverb on/off, an external speaker output, and a 1/4” line out for expanded stage and studio flexibility.

As with all Magnatone amps, the Kingston is hand-wired and made in the USA. It’s finished in Magnatone’s Traditional Collection cosmetics and available in 100% cotton Traditional Brown, Camel, Dark Green, and Traditional Black covering.

Ted Kornblum, President & CEO of Magnatone, says, “The Kingston fills the perfect niche for players who want a truly classic American sound that’s reliable, rugged and ready to take anywhere.”

The Magnatone Kingston carries a street price of $2,349.

Next up is another entry in Magnatone’s Traditional Collection, the Starlite Reverb 10, a sweet-sounding, much-in-demand update of the original “grab and go” Starlite. This new evolution features a larger speaker, increased output, and a more lush, full sound - all still in a small footprint.

“The upgrades we designed include a 6L6 power tube for the 8 watts of Class A single-ended power and the 10-inch speaker in a slightly larger cabinet,” explains Obeid Khan, Magnatone’s Chief Engineer. “These two changes alone make a big sonic difference in tone clarity, volume, projection, and overall performance.” Khan says the amp keeps its Accutronics Digi-Log spring-style reverb, Traditional cosmetics, and compact footprint, making it “a nice little bedroom-office-study-studio amp.”

Like all Magnatone amps, the Starlite Reverb 10 is all hand-made in the USA and features one 12AX7 preamp tube and one 6L6 power tube, giving players 8 watts of Class A output through a Magnatone Custom 10” ceramic magnet speaker. Additional features include High and Low sensitivity inputs, an innovative tone control which spans “black-panel” and “tweed-era” voicings with a mid-cut below 12 o’clock, switchable negative feedback and an 8-ohm extension speaker output. Vintage-inspired Traditional Collection cosmetics highlight and accent the Starlite Reverb 10 in the same way that made the original model a true in-demand favorite.

Ted Kornblum, President and CEO of Magnatone, says, “Our customers love the Starlite’s vibe and performance of being ‘the-little-amp-that-could,’ and now it’s the ‘little-amp-that-can.’ I’m proud to say that we’ve delivered it.”

The Starlite Reverb 10 is available in 100% cotton Traditional Brown, Camel, Dark Green, and Traditional Black covering, carries a street price of $1,899.

The third amp introduced at NAMM is the debut model in Magnatone’s new Point-to-Point Collection, a limited-edition of hand-built amplifiers, made in the USA, featuring vintage-styling and point-to-point hand wiring and limited to a quantity of 50 units worldwide. The collection launches with the Varsity Reverb, now featuring point-to-point craftsmanship, and replaces the Traditional Collection version.

Each amp is meticulously hand-built in small batches using true point-to-point wiring technique that’s expertly made by Magnatone’s master builders.

“While all Magnatone amps are truly hand-built and made in the USA, the Varsity Reverb represents a return to old-school craftsmanship and artistry,” says Obeid Khan, Magnatone's Chief Engineer.

Designed for professional musicians, the Varsity Reverb delivers exceptional clarity, depth and touch sensitivity. Its Class A circuitry provides rich harmonic detail and responsiveness for players seeking amazing tone and superb build quality in a single amplifier.

The Varsity Reverb has already seen rugged, real-world use with some of today’s most respected guitarists. Charlie Sexton says, “I’ve used this amp on the road for years and it sounds as good as it looks.” Jeff Beck, Kenny Greenberg, and Sam Morrow have used this amp on tour and in the studio.

Ted Kornblum, President & CEO of Magnatone, says, “The quality and attention to detail in this model have never been higher, and we’re proud to showcase the craft of point-to-point amp building.”

The Varsity Reverb features 15 watts of Class A power, driven by two 12AX7 pre-amp tubes, one 12DW7 tube, two EL84 power tubes, and a GZ34 rectifier tube, and paired with a Magnatone Custom 12” ceramic magnet speaker. Additional features include authentic tube-driven long-pan reverb (footswitchable) with four counter-wound springs, high and low sensitivity inputs, and a feedback boost switch. The amp features 100% cotton Cathedral Black or Cathedral Burgundy covering, with a hand-tooled saddle-leather handle.

The Magnatone Varsity Reverb in the Point-to-Point Collection carries a MAP of $3,299.

The fourth new amp at NAMM is a special one: Magnatone has introduced the Lil’ Viper – the latest member of the Slash Collection. It’s a lightweight amp designed to deliver a remarkably big tone. Developed with Slash, the Lil’ Viper packs its unmistakable Master Collection tone into a surprisingly powerful 8-watt combo amp that’s perfect for home, studio and, of course, backstage.

Obeid Khan, Magnatone’s Chief Engineer, collaborated with Slash to create this super portable amp for practice and show prep. “The Lil’ Viper is Magnatone's smallest, most portable offering in the Slash line-up,” says Khan. “Slash wanted a big-sounding backstage solution so we worked together to literally create a big amp…in a little box.”

Slash adds, “I'm not exaggerating when I say this is the most kick ass amp of its size I've ever heard. Its sound actually kicks the ass of amps 3 times its size.“

Like all Magnatone amps, the Lil’ Viper is made in the USA and features a single 12AX7 preamp tube and a pair of NOS 6AQ5 power tubes delivering 8 watts of push-pull Class AB output through a Magnatone Custom 8” ceramic magnet speaker. A High/Low gain switch gives players two distinct voicings. As Khan explains, “Low Gain is a classic, slightly broken-up gain architecture. High gain is a modified type of saturation tone.” Khan also adds that the tone control adds highs and reduces lows as it’s turned up.

Additional Lil’ Viper features include a Slash-requested, speaker-emulated 1/4” headphone output that mutes the internal speaker while still allowing players full control of the amp’s features. There’s a 1/8” line input for playing with backing tracks. Elegantly dressed in Slash’s signature Purple Python cosmetics, the Lil’ Viper roars visually with a backlit Magnatone logo and gold-accented control panel hardware - including the signature vintage-style Magnatone chevron.

Ted Kornblum, President & CEO of Magnatone, says, “While it may be the smallest amp in the Slash collection, the Lil’ Viper really delivers a surprisingly big sound that stands up proudly to its bigger brothers in the collection.”

The Lil’ Viper is available exclusively in Purple Python with a MAP of $1,899.

To learn more about Magnatone’s new models visit www.magnatoneusa.com.

ESP Guitars (NAMM Booth 210D) has added 14 new guitar models to their popular LTD Deluxe “1000 Series”, instruments for professional players who require the versatile tones, smooth playability, and complete reliability for serious recording and touring needs

“LTD Deluxe guitars are being used on the world’s biggest stages and best-selling albums,” says Matt Masciandaro, president and CEO of the ESP Guitar Company. “We feel that our new additions to the LTD Deluxe Series for 2026 are among our best in history.”

The LTD Deluxe Arrow-1000 is being made available in a brilliant Pearl White finish. This V-shaped guitar offers neck-thru-body construction, extra-jumbo stainless steel frets, and a set of direct-mount Fishman Fluence Modern 3-Voice Humbucker active pickups.

Three new EC-1000 models are joining the LTD Deluxe Series. The EC-1000 Candy Apple Red Satin is a single-cutaway guitar that’s built with set-thru construction. Components on this guitar include a TonePros locking TOM-style bridge and tailpiece and a set of ESP-exclusive Seymour Duncan Mortal Coil 3-Voice Active Humbucker pickups, with push-pull controls to activate their multiple voices. The EC-1000 Granite Sparkle also offers set-thru construction at traditional 24.75” scale, and includes a set of direct-mounted Fishman Fluence Modern 3-Voice Humbucker pickups. The EC-1000 Pearl White gleams in a brilliant finish and high-contrast single-ply black binding, with chrome hardware Fishman Fluence Modern 3-Voice Humbucker pickups.

The new LTD Deluxe MH-1000NT Granite Sparkle offers set-thru construction at 25.5” scale, 24 extra-jumbo stainless steel frets, offset block inlays, and Fishman Fluence Modern 3-Voice Humbucker pickups. A shape making its long-awaited addition to the LTD lineup, the LTD Deluxe MV-1000 Pearl White is based on the ESP Maverick, with smooth, flowing curves and a slightly asymmetrical shape that truly stands out from the crowd of typical guitars. It offers bolt-on construction at 24.75” scale, a Floyd Rose 1000SE double-locking tremolo, 27 extra-jumbo stainless steel frets, and a superb Seymour Duncan pickup set with an ESP-exclusive Custom 14 TB in the bridge position and a Hot Rails in the neck.

Another new model for 2026, the LTD Deluxe NV-1000 marks the return of the tough-looking ESP NV shape to the LTD brand with neck-thru-body construction, extra-jumbo stainless steel frets, a Floyd Rose 1000SE double-locking tremolo, and a set of aggressive EMG 81 (bridge) and EMG 60 (neck) active pickups. The LTD Deluxe RS-1000 Pearl White offers ESP’s Random Star shape with neck-thru-body construction, a Floyd Rose 1000SE tremolo, and an EMG 81 (bridge) and EMG 85 active pickup set.

The LTD Deluxe SN-1000FR Candy Apple Red Satin offers bolt-on construction at 25.5” scale in an outstanding solid-color finish, with a resonant swamp ash body and roasted maple neck, stainless steel frets, a Floyd Rose 1000SE double-locking tremolo, and a set of Fishman Fluence Modern 3-Voice Humbucker pickups. The LTD Deluxe SN-1000 HT Dark Brown Sunburst has a quilted maple top, a black bone nut, a Hipshot hardtail bridge with string-thru-body, and a set of Seymour Duncan Custom14 — an ESP exclusive — in the bridge position and an APH-1N in the neck.

Yes another new shape for 2026, the LTD Deluxe TH-1000 Snow White takes a familiar look and soups it up with contemporary design features such as a swamp ash body, roasted maple neck, extra-jumbo stainless steel frets, a black bone nut, a Hipshot hardtail bridge with string-thru-body, and a set of ESP-exclusive Seymour Duncan Mortal Coil 3-Voice Active Humbucker pickups. The LTD Deluxe TH-1000 EverTune FM See Thru Black Sunburst offers this shape with the EverTune constant tension bridge, along with a flamed maple top, a roasted maple neck, a black bone nut, and a set of ESP -exclusive Seymour Duncan Mortal Coil 3-Voice Active Humbucker pickups.

The LTD Deluxe Viper-1001 EverTune Charcoal Metallic Satin also features the EverTune constant tension bridge, along with set-thru construction at 24.75” scale, extra-jumbo stainless steel frets, and an EMG 81 active humbucking pickup. Finally, the LTD Deluxe XJ-2HT Snow White takes the offset XJ body shape and provides it with the feature set designed for the modern musician, including a swamp ash body, roasted maple neck, extra-jumbo stainless steel frets, a black bone nut, a Hipshot hardtail bridge with string-thru-body, and a set of Fishman Fluence Modern 3-Voice Humbucker pickups.

More information on ESP Guitars and the new additions to the LTD Deluxe Series is available on the ESP web site at www.espguitars.com.

Gator has introduced Vertex by Gator, a new pedalboard series developed in collaboration with Vertex Effects. The partnership pairs the design input of Vertex founder Mason Marangella with Gator’s manufacturing capabilities.

The Vertex by Gator collection launches with three sub-series. The Tour Lite series offers a compact footprint with the option to integrate risers for added routing space. The Tour Compact series expands the working surface and introduces multiple board sizes for musicians building mid-sized layouts. The Tour Elite series provides the largest surface area in the collection, accommodating builds that require additional pedal real estate and cable management space.

Rig Doctor accessories in the lineup include a cable-tie and holder pack with 48 pieces, along with a pedalboard mounting kit featuring 0.75” dual-lock adhesive squares, 4” cable ties and 1” cable-tie holders. These additions are intended to support clean wiring and repeatable builds across different configurations within the Vertex by Gator ecosystem.

“I’m honored to be working with a company that shares my value of bringing premium pedalboards and accessories, at an affordable price, to musicians around the world,” said Mason Marangella, owner of Vertex Effects. “It’s been a dream to work with the Gator team and bring ideas to life that I’ve been refining for over seventeen years as a professional rig builder.”

Within the Vertex by Gator range, the Tour Lite series features a 17” x 10” (43.2 x 25.4 cm) layout. The Tour Compact series is available in 23” x 13” (58.4 x 33 cm) and 27” x 13” (68.6 x 33 cm) formats, and the Tour Elite series offers a 31” x 13” (78.7 x 33 cm) layout. Each pedalboard in the series ships with a fitted gig bag sized to the corresponding board.

With the introduction of Vertex by Gator, the two companies present a unified pedalboard system built for varied rig formats. For more information on Gator’s effects pedal accessories, visit gatorco.com, and for details on Vertex Effects, visit vertexeffects.com.

Geordie Greep, frontman of Black Midi, has written a touching letter on the loss of his friend and former band mate, Matt Kwasniewski-Kelvin.

Kwasniewski-Kelvin sadly passed away after a long mental health battle at the age of just 26. He played guitar for the band from its formation in 2017, and stepped away in 2021 to focus on his mental wellbeing.

His family announced his death through a statement shared by the band’s label, Rough Trade Records, earlier this month. They described him as “a talented musician and a kind, loving young man”, and urged people to check in on their loved ones.

View this post on Instagram

Geordie Greep has now written his own statement, shared via social media, in which he has thanked their friends, those the band have worked with, and their fans for being so kind. He also passed on his love to the family of Kwasniewski-Kelvin.

“It’s really such a sad thing that’s happened,” he writes, “but I have been trying to focus on what a great person he was, what a force for positivity and goodwill, and how much better he made the lives of everyone who knew him. We all loved him so much, we really did. And he will stay with us for the rest of our lives.

“Even though I haven’t seen him in some years, I thought about him very often, and I always wished and hoped I would one day see him again. There is so much I wish I could say to him. I wish I could say how sorry I am for everything that happened, how sorry I am that he was unlucky enough to be battling such a cruel, unforgiving and persistent illness, how much I miss him and will miss him always, and how thankful I am for everything he did for me.”

He later continues, “We had a dream when we were 14 years old of making crazy music and playing it around the world, being able to make music on our own terms and be able to do it for a living – and we bloody did. We did and in a short time too.”

Before sharing some throwback photos of the band, Greep concludes: “So thank you Matt, thank you for everything. You’re always gonna be with me. Every stage and studio or wherever I play I’ll be thinking of you. I dedicate the rest of my life to finishing what we started. And I would never be able to do any of it without you. I love you, thank you so much.

“And thank you everyone else too. Best wishes to everyone. I love you all. I don’t have many good pictures of us all together, but here are a few. One from our very first recording session (in a proper studio) and a few from our very first gig, and some from us and a few other great friends from school playing the blues. That was nine years ago now, and I remember it like yesterday. These are the sort of memories you can’t forget.”

You can read Geordie Greep’s full post below:

View this post on Instagram

If you’re struggling with your mental health, you can find support through Find A Helpline.

The post “I dedicate the rest of my life to finishing what we started”: Geordie Greep pays tribute to former Black Midi bandmate Matt Kwasniewski-Kelvin appeared first on Guitar.com | All Things Guitar.

Warren Haynes walks into Axe Lords HQ like he’s done this a thousand times—he probably has given that he was inducted into the Rock & Roll Hall of Fame with the Allman Brothers Band 31 years ago—and within minutes we’re deep into the stuff that actually matters: how you develop a voice standing next to a guitarist as singular as Dickey Betts, why the volume knob is not a decoration, and how “improv” gets better the moment you stop trying to have a good idea.

Along the way, the Gov’t Mule frontman and solo artist unpacks the real-life chain of events that turned a 19-year-old kid into a professional musician: the surprise call from country provocateur David Allan Coe that turned him into a hardened rod dog almost overnight, the daily grind of being a Nashville session singer, and the long game of learning what he calls the golden rule of playing in a two-guitar band: respect what the other player is doing while still being unmistakably yourself.

And because this is Axe Lords, we also get fully nerdy: the story behind that three-pickup SG Custom that went from the cover of Guitar World magazine to the Big House Museum in Macon, the red Custom Shop Strat that got stolen, and why he tours with no less than 20 guitars.

Axe Lords is presented in partnership with the Witz Comedy Network and Premier Guitar. Hosted by Dave Hill, Cindy Hulej and Tom Beaujour. Produced by Studio Kairos. Executive Producer is Kirsten Cluthe. Edited by Justin Thomas (Revoice Media). Engineered by Patrick Samaha. Recorded at Kensaltown East. Artwork by Mark Dowd. Theme music by Valley Lodge.

Follow @axelordspod for updates, news, and cool stuff.

Follow Warren @thewarrenhaynes

Pre-Order Warren’s Re-Mixed and Re-Mastered Version of Debut Solo Studio Album Tales of Ordinary Madness out January 30th via Megaforce Records.

First Single “Fire In The Kitchen” Out Now.

Catch Warren on tour: Winter of Warren 2026 Tour

Aguilar has announced the Tone Hammer 210 Combo, a compact bass combo amplifier designed to deliver the sound, feel, and performance of a full Aguilar rig in situations where space is limited but tone and reliability remain essential.

Built for working bassists, the Tone Hammer 210 Combo was not designed as a scaled-down solution. Instead, Aguilar focused on the environments bassists actually work in—small to medium venues with tight stages, studio and Broadway pit settings where clarity and consistency are critical, and houses of worship where players often rely on in-ear monitoring and flexible direct outputs rather than stage volume.

At the core of the design is a vertically oriented 2×10 cabinet that balances portability with natural projection. The cabinet remains compact while providing dispersion and stage feel closer to a traditional full-size rig. Its height is similar to a Tone Hammer head paired with an SL 410, allowing bassists to hear themselves clearly without excessive stage volume. The amplifier section is physically separated from the cabinet enclosure, preserving internal volume and resonance so the cabinet can deliver its full acoustic performance. This design results in a punchy, focused response that avoids the muddy characteristics often associated with combo amplifiers. The cabinet is loaded with custom ceramic 10-inch speakers inspired by Aguilar’s DB series drivers. Designed from the ground up, these speakers deliver a tight, controlled low end, forward and articulate midrange, and a clear voice that maintains definition in a live mix.

Mounted on top of the cabinet is a 300-watt version of Aguilar’s second-generation Tone Hammer amplifier. Players get the signature Tone Hammer character—warm, rich, and tube-inspired— with the flexibility to dial in tones ranging from vintage thump to modern edge. The rear panel is designed for modern performance needs and includes dual XLR outputs for front-of-house and monitor or in-ear monitor routing, built-in cabinet impulse responses for consistent direct tone, and compatibility with the Aguilar Cabinet Suite desktop application.

Additional features include a headphone amplifier and auxiliary input for silent practice, as well as a redesigned ultra-quiet cooling system suitable for studio and pit environments.

With its combination of efficient cabinet design, custom speakers, and a powerful Tone Hammer amplifier section, the Tone Hammer 210 Combo delivers a true Aguilar experience in a compact, professional format.

For more information, visit www.aguilaramp.com

The Aguilar Tone Hammer 210 Combo is available for pre-order with a street price of $1499.99 and will begin shipping in March 2026.

Tokai Guitars, the respected Japanese guitar manufacturer known for meticulous craftsmanship, vintage-inspired design, and time-tested consistency, is officially returning to the United States. The brand’s U.S. relaunch is supported by Audio Collective Group (ACG), whose focus is brand growth, improved availability, and a stronger connection between Tokai and American players.

For decades, Tokai guitars have been prized by musicians who value boutique feel, consistency, and traditional hand-built quality. Built in Japan by skilled luthiers, Tokai instruments are respected for their balance, playability, and attention to detail, earning a loyal following worldwide among players who value classic designs executed with precision and reliability.

“We’re genuinely excited to get Tokai Guitars back in the hands of U.S. players,” said Bryce Young, President of Warm Audio & Audio Collective Group. “These are beautifully built, made-in-Japan guitars with Golden-era construction, offering a high-quality alternative to more American guitar players. The big thing for us is making Tokai easy to find again through trusted retailers and backing that up with real U.S. customer support and service. Tokai has a long history, including fans & players like Kirk Hammett from Metallica, Robert Fripp from King Crimson, Tim Farriss from INXS, and Billy Gibbons from ZZ Top, and it’s awesome to help bring that legacy back into today’s guitar shops.”

As part of this U.S. relaunch, Audio Collective Group is investing in infrastructure designed to better serve both players and retailers. This includes the active development of a dedicated U.S. / English-language Tokai website, along with initiatives aimed at strengthening visibility, product clarity, Texas-based service, and dealer support throughout the American market.

Key Product Lines Coming to the U.S.

Electric Guitars

Tokai electric guitars are built in Japan using time-honored construction methods, featuring bolt-on necks, vintage-correct neck profiles, and Japanese-made Gotoh hardware and pickups.

• Goldstar (S-Style) — Tokai’s flagship S-style electric, available in classic SSS or hot-rodded HSS configurations. Known for balance, clarity, and responsiveness, with alder or ash bodies and a wide range of vintage finishes.
• Breezysound (T-Style) — A traditional T-style design featuring alder or ash bodies, vintage-voiced Gotoh single-coil pickups, and straightforward controls that deliver punch, articulation, and classic snap.

Bass Guitars

Tokai basses are built with the same attention to detail as their guitars, offering strong fundamentals, articulate low-end response, and dependable performance for both studio and stage.

• Hard Puncher (PB-Style Bass) — A classic passive 4-string bass featuring a split-coil Gotoh pickup, 34" scale length, and traditional volume and tone controls. Designed for warmth, clarity, and mix-ready tone.

Availability

Tokai Guitars will be available in the United States through select authorized dealers supported by Audio Collective Group. Dealers interested in carrying Tokai can contact their ACG sales representative or email sales@audiocollectivegroup.com.

Additional U.S. product information and resources will be available soon via Tokai’s forthcoming dedicated U.S. website: www.tokaiguitars.com

Reverend Guitars has upgraded the Charger Series for 2026. The seven models in the series feature a thinner, streamlined body with improved fret access, resulting in a lighter-weight guitar, enhanced comfort, and a tighter low end. A new string-thru-body design, with a flat-mount bridge and stainless steel saddles, is combined with a solid aluminum string block on the back of the guitar to enhance sustain and clarity.

The Charger HH, H90, 290, and Jr. 90 all feature Reverend’s new Steelhead pickups, which feature oversized steel pole pieces for a highly responsive and punchy tone. The H90 is also available with a Wilkinson WVS50IIK, celebrated for its tone, durability, and tuning stability. The Charger Cleancut is equipped with Railhammer Cleancut pickups, delivering tighter lows, fatter highs, and a balanced tone.

Bold new top colors and backsprayed pickguards create a striking look, while the transparent brown backs add a touch of high-end class. A new Charger headstock logo completes the concept. The Charger Series guitars are modern guitars with classic sensibility, offering the high performance and timeless style you expect from Reverend Guitars.

The Reverend Charger Series is currently shipping to Reverend Authorized Dealers.

Yamaha has launched two new Pacifica variations – the SC Professional and SC Standard Plus – as well as a brand new Revstar signature model made with Chris Buck.

These new Pacifica models are single-cut versions of its Professional and Standard Plus models released in January 2024. These guitars share many of the same features but the Professional variation has a higher price point, and varies with a 9.5 -12” Compound Radius fingerboard (12” on the SC Standard Plus), a custom tinted satin neck finish, and a hardshell case as opposed to a gig bag.

• READ MORE: NAMM 2026 Live: The latest guitar launches and news from the biggest music gear event on the planet

These new Pacifica models are fitted Reflectone pickups, developed in partnership with Rupert Neve Designs. They come in an S-H configuration, and are accompanied by a Focus Switch to offer a wide tonal range. Each guitar has a contoured, chambered body, engineered with Acoustic Design technology for enhanced resonance.

Both guitars come with either a rosewood or maple fingerboard, and have 22 medium jumbo frets, Gotoh locking tuners, and a range of colours. Depending on your model and choice of fingerboard material, colour availability may vary. In total there are eight colours: Ash Pink, Breeze Metallic Blue, Sunny Orange, Black Metallic, Shell White, Peppermint Green, Desert Burst, and Black.

Image: Yamaha

Also joining its exciting NAMM launches is the Chris Buck Signature REVSTAR RS02CB guitar. The REVSTAR series has been inspired by café racer motorcycles, Japanese artisanship and cultural heritage since its debut in 2015. Its second generation later arrived in 2022.

The RS02CB was developed in close collaboration with Buck to faithfully reproduce the sound and feel of his custom REVSTAR. It features P90 style pickups tuned to his preferences, a wrap-around bridge, a chambered body and a carbon-reinforced neck.

“My custom shop REVSTAR has been the beating heart of every record I’ve made and every show I’ve played since I first laid hands on it in 2020,” he says. “It hasn’t left my side and has quite literally travelled the globe with me, from Cairo to California.

“The phrase ‘labour of love’ gets thrown around a little too often these days, but collaborating so closely with Yamaha to recreate my guitar over the past few years has been exactly that. I am beyond thrilled to finally see it come to life. As much as it may be based on my guitar, this one’s yours.”

The Professional SC model comes in at £2,247.18, while the Standard Plus SC is priced at £991.90. The Chris Buck Signature REVSTAR is priced at £1,253.20. You can view all of these new launches over at Yamaha.

The post Yamaha partners with Chris Buck on new signature Revstar – and launches new single-cut Pacifica models appeared first on Guitar.com | All Things Guitar.

ESP has launched 14 new models for its LTD Deluxe 1000 Series for professional players.

The 14 new arrivals include new colours, as well as completely new designs and shapes making their series debut. Matt Masciandaro, president and CEO of ESP, says these LTD Deluxe Series guitars for 2026 are among its “best in history”, and we’ve rounded up the key highlights.

• READ MORE: NAMM 2026 Live: The latest guitar launches and news from the biggest music gear event on the planet

The swathe of new launches sees the LTD Deluxe Arrow-1000 being made available in a brilliant Pearl White finish. This V-shaped guitar offers neck-thru-body construction, extra-jumbo stainless steel frets, and a set of direct-mount Fishman Fluence Modern 3-Voice Humbucker active pickups.

Three new EC-1000 models are also joining the LTD Deluxe Series, these are the EC-1000 Candy Apple Red Satin, a single-cutaway guitar fitted with a set of ESP-exclusive Seymour Duncan new MortalCoil 3-Voice Active Humbucker pickups, the EC-1000 Granite Sparkle, and the EC-1000 Pearl White.

EC-1000 in Pearl White. Image credit: ESP Guitars

With a shape making its long-awaited addition to the LTD lineup, the LTD Deluxe MV-1000 Pearl White is based on the ESP Maverick, with smooth curves and a slightly asymmetrical shape that truly stands out from the crowd of typical guitars.

MV-1000 in Pearl White. Image credit: ESP Guitars

Another new model for 2026, the LTD Deluxe NV-1000 marks the return of the ESP NV shape to the LTD brand with neck-thru-body construction, extra-jumbo stainless steel frets, a Floyd Rose 1000SE double-locking tremolo, and a set of EMG 81 (bridge) and EMG 60 (neck) active pickups.

NV-1000 model. Image credit: ESP Guitars

The LTD Deluxe TH-1000 Snow White takes a familiar look and dresses it up a little more with contemporary design features such as a swamp ash body, roasted maple neck, extra-jumbo stainless steel frets, a black bone nut, a Hipshot hardtail bridge with string-thru-body, and a set of Seymour Duncan MortalCoil pickups.

Also offering the same shape is the LTD Deluxe TH-1000 EverTune FM See Thru Black Sunburst, with an EverTune constant tension bridge, along with a flamed maple top, a roasted maple neck, a black bone nut, and a set of Seymour Duncan MortalCoils

The LTD Deluxe Viper-1001 EverTune Charcoal Metallic Satin also features the EverTune constant tension bridge, along with set-thru construction at 24.75” scale, extra-jumbo stainless steel frets, and an EMG 81 active humbucking pickup.

In our final list of  highlights, the LTD Deluxe XJ-2HT Snow White jazzes up the offset XJ body shape with key features including a swamp ash body, roasted maple neck, extra-jumbo stainless steel frets, a black bone nut, a Hipshot hardtail bridge with string-thru-body, and a set of Fishman Fluence Modern 3-Voice Humbucker pickups.

XJ-2HT in Snow White. Image credit: ESP Guitars

One of the highlights of the new additions visually is the RS-1000, which sports ESP’s Random Star shape for some serious star power, alongside a neck-thru-body construction, Floyd Rose 1000SE tremolo, and an EMG 81 and 85 active pickup set.

Credit: ESP LTD

You can visit ESP Guitars at NAMM Booth 210D, or head over to the ESP website for more information on all of its new arrivals.

The post 14 new guitars in ESP’s LTD Deluxe 1000 Series are the “best in its history” – here’s everything you need to know appeared first on Guitar.com | All Things Guitar.

ESP has expanded its Signature Series with eight new instruments for Joe Duplantier, George Lynch, Mick Thomson and more, and even two new guitars celebrating late Children of Bodom guitarist Alexi Laiho.

There’s also new guitars for Slaughter to Prevail guitarist Jack Simmons, late Slayer legend Jeff Hanneman, and a new finish for Stephen Carpenter’s LTD SC-607 Baritone.

• READ MORE: Seymour Duncan MortalCoils: active humbuckers with three “precision-engineered” voices

“ESP’s Signature Series offers something for everyone,” says Tony Rauser, ESP Director of Artist Relations. 

“The artists who play these guitars are among the world’s most respected guitarists, and their Signature guitars allow people the opportunity to use the same instruments they’ve seen played in front of thousands of people on stage and heard on some of the most acclaimed albums of all time.”

Alexi Laiho (Children of Bodom)

The two new Alexi Laiho models commemorating the Finnish melodic death metal pioneer are an Arrowhead SE 20th Anniversary, black with yellow bevels, and a Sawtooth SE 20th Anniversary model, black with white pinstripes. Both feature the offset V shape Laiho was somewhat synonymous with, as well as a neck-thru construction, 25.5” scale, Macassar ebony fingerboard, Grover tuners, single EMG HZ F-H2 passive pickup and Floyd Rose 1000 bridge.

Joe Duplantier (Gojira)

Credit: ESP

Elsewhere, Gojira frontman Joe Duplantier gets the JD-1, which sports a modified take on the offset XJ shape, with a bolt-on construction, 25.5” scale, three-piece roasted maple neck, Macassar ebony fingerboard, pearloid block inlays, 22 extra jumbo stainless steel frets, and Joe’s signature DiMarzio JD Fortitude passive humbucker.

George Lynch (Dokken, Lynch Mob)

Credit: ESP

The LTD GL-200 Kami arrives as a “streamlined” version of George Lynch’s 1985 Kamikaze guitar, with a solid black finish, hockey stick reverse headstock, basswood body, Floyd Rose Special double-locking tremolo bridge, and a set of ESP LH-150B and LS-120 pickups.

Jack Simmons (Slaughter to Prevail)

Credit: ESP

New to the ESP Signature artist family in time for NAMM 2026 is Jack Simmons, guitarist for deathcore titans Slaughter to Prevail. He gets the LTD JS-7 Baritone, which features a V-shaped body with a neck-thru construction, 27” scale, 24 frets, 48mm Graph Tech TUSQ XL nut, Hipshot 7 hardtail bridge and Fishman Open Core Modern 3-Voice humbucker active pickup.

Jeff Hanneman (Slayer)

Credit: ESP

Paying tribute to late Slayer guitarist Jeff Hanneman comes the LTD JH-200 CTM. Priced for “accessibility” for the legions of Slayer fans around the world, the guitar sports a bolt-construction, uninhibited access to the upper frets for ripping solos, an alder body, red star inlays, a Floyd RoseSpecial double-locking trem and a set of high-output ESP LH-301 humbuckers.

Mick Thomson (Slipknot)

Credit: ESP

Mick Thomson’s LTD MT-1 Signature Series model gets a new Black Satin finish. As a reminder, the guitar features a set-thru construction, 25.5” scale, mahogany body with a white ash top, 24 frets, Graph Tech Black TUSQ XL nut, Hipshot Grip-Lock open gear tuners, Hipshot Hi-Mass hardtail bridge, blue Luminlay side dots and a Fishman Fluence Mick Thomson signature pickup.

Stephen Carpenter (Deftones)

Credit: ESP

And finally, the LTD SC-607 Baritone – the Signature Series model for Deftones guitarist Stephen Carpenter – gets a new Magenta finish with gold hardware, based on one of Stef’s beloved personal ESP Custom Shop guitars. Features include seven strings, neck-thru-body construction, 27” scale, TonePros locking TOM-style bridge, and a set of Carpenter’s Fishman Fluence SRC Signature 3-Voice pickups.

Learn more about the new additions to the Signature Series at ESP.

The post ESP expands its Signature Series for NAMM 2026 with kitted-out models for Mick Thomson, George Lynch, Stephen Carpenter and more appeared first on Guitar.com | All Things Guitar.

Seymour Duncan has launched its new MortalCoil active humbuckers, which offer three voices catering to a wide array of tonal desires.

The launch marks its first multiple-voiced pickup, and each voicing has been “precision-engineered” to allow a single guitar to move all the way from shiny cleans to aggressive high-gain tones. They’re available now in 6- and 7-string configurations, and can be installed as a simple drop-in upgrade for many existing active setups. All pots and wiring are included.

• READ MORE: NAMM 2026 Live: The latest guitar launches and news from the biggest music gear event on the planet

Diving into each voice, we begin with MortalCoil’s MC1 (Voice 1), for a modern metal sound. This voice delivers “uncompromising tightness, note separation, and cutting presence” for metal players, and Seymour Duncan claims it does so without fizz or nasal midrange, even under extreme gain.

Credit: Seymour Duncan

The second voice brings classic JB Bridge and Jazz Neck tones, while Voice 3 offers a single-coil voice with plenty of output and definition for all your clean needs. Precision-wound, high-density copper coils with optimised resistance are at the core of these pickups, and an all-new advanced, audio-optimised preamp brings clarity and definition.

Find out more and hear them in action below:

In other Seymour Duncan news, Slash has teamed up with the brand for another collaboration. The Slash 3.0 Pickup Set – his most “aggressive” signature set to date – was created especially for his appearance at Black Sabbath’s historic Back To The Beginning gig last July. Slash has used Seymour Duncan pickups for over four decades, but for the special occasion he wanted some extra oomph for his Gibson SG.

You can get the MortalCoil humbuckers as a set for $279, or as a single pickup for $169. Find out more by visiting Seymour Duncan.

Image: Seymour Duncan

The post Seymour Duncan MortalCoils: active humbuckers with three “precision-engineered” voices appeared first on Guitar.com | All Things Guitar.

Update adds the DM-2 Delay, OD-2 TURBO OverDrive, and DC-2 Dimension C

Laney has unveiled the Supergrace Loudpedal, a floor-based dual-amplifier platform that puts Billy Corgan’s live rig within reach of any guitarist.

Developed in close collaboration with the Smashing Pumpkins frontman himself, Supergrace captures the core of Corgan’s touring sound – without the towering backline or $100k price tag.

At its heart are two of Corgan’s essential amplifier voices: the high-gain Carstens Grace, and the iconic Laney Supergroup, now distilled into a single, compact 60-Watt floor unit.

• READ MORE: NAMM 2026 Live: The latest guitar launches and news from the biggest music gear event on the planet

Translating those two professional-grade amplifiers into a compact floor-based format was no small task, says the brand. Working alongside Laney and amp designer Brian Carstens, the goal was to preserve the feel and character of each amp rather than simply approximate their tones.

“We wanted something that would be used night after night on the world’s biggest stages-not as a compromise, but as the real thing,” says Carstens. The result is the Supergrace: a dual-amplifier platform designed for players seeking both heritage and innovation.

On one side sits the Grace channel, born from Corgan’s demand for extreme gain and massive headroom. Adapted from the original Carstens Grace amp, this channel delivers articulate high gain with exceptional note definition, even at saturation levels where most amps collapse.

“It’s really solid,” says Corgan. “There’s so much body to the notes.”

Credit: Laney

Alongside it sits the Supergroup channel, a faithful recreation of the legendary Laney amp from the late 60s that shaped early heavy metal. Even the circuit’s distinctive “transformer rub” sub-note, a detail prized by vintage Laney fans and heard on countless Laney recordings, has been preserved.

Beyond the amp tones, the Supergrace is built as a complete modern rig. It features a true analogue signal path with no digital amp modelling, paired with Laney’s proprietary LA·IR Advanced Speaker Emulation. The pedal comes preloaded with Corgan’s own touring Impulse Responses, which can be swapped via the company’s LA·IR app.

USB-C connectivity enables latency-free recording straight into a DAW, while MIDI control, a transformer-isolated FX loop, auxiliary input, and headphone output make it equally suited to studio, stage, or silent practice.

Crucially, the unit has already been tested in the real world by the man himself. Corgan took a Supergrace prototype onstage at a My Chemical Romance show in Chicago, performing in front of 60,000 people without his usual $100k+ touring rig – and the pedal passed the test with flying colours.

Priced at $629.99/£449/€529, each unit is handcrafted at Laney’s Black Country Customs workshop in Birmingham, England, and ships in a premium presentation box, complete with power supply and USB cables.

Learn more at Laney.

The post Billy Corgan’s $100k live rig is now a pedal – Meet the Laney Supergrace appeared first on Guitar.com | All Things Guitar.

£899/$999, eastmanguitars.com

Eastman’s quest to create something interesting, impressive and different in the affordable bolt-on guitar space with the Fullertone range has been one of the stories of the guitar world over the last 12 months, and for 2026 chief luthier Otto D’Ambrosio is opening his tent to expand the Fullertone concept to new audiences with the new Offset ’62.

• READ MORE: With the FullerTone, Eastman Guitars stands at the new frontier of quality affordable electrics

Image: Adam Gasson

Eastman Fullertone Offset ’62 – what is it?

The Offset ’62 is a Chinese-made and more affordable interpretation of the Offset ’62 from the Europe-made D’Ambrosio series, which launched at last year’s Guitar Summit. Over the past several months, Eastman has been working with YouTuber Paul Davids to refine the Offset ’62 concept to make it more suited to the average player’s needs. This entailed moving the toggle switch to the upper bout, changing the forearm contour for added comfort, and moving the volume knob closer to the bridge pickup for ease of access.

The result is the guitar you see before you in both its Dakota Red and Gold launch finishes. The body is a lightweight roasted black limba, with a similarly roasted maple neck with rosewood board. In terms of electronics you get a pair of Gold Foil-covered ToneRider soapbar humbuckers plus premium Orange Drop, 022μF capacitors and CTS 250K pots.
The hardware is similarly premium – you get nice looking and feeling six-in-a-line vintage style tuners, an anodized aluminium pickguard, and in a new one for the Fullertone range, a Jazzmaster-style-but-not Göldo DG Tremolo.

The neck is attached to the body using the innovative single-bolt system developed by D’Ambrosio that gives the range its name, and you also get a padded gigbag for the money – which is a little more than the first Fullertones, it must be noted.

Image: Adam Gasson

Eastman Fullertone Offset ’62 – build quality and playability

Removing the Offset ’62 from its padded gigbag. I’m immediately impressed with the refreshingly original yet knowingly vintage vibe of the instrument.

The roasted maple neck is quite chunky in the palm but it’s smooth satin finish, medium Jescar FW47104-P frets and Fender-esque 25.5” scale length, combined with the 12” radius rosewood fingerboard, contribute to a familiar and instantly comfortable playing feel.

Immediately impressive is the lightweight, sleek and svelte feel in the hands. Despite being a sizable mass, roughly as wide as my Les Paul, it’s original offset design conforms to the Eastman Family in terms of looks and slick contoured body feels even better in person – clearly the real world testing done by Davids has really helped to make this guitar simply melt into your body as you sit and play it.

On a strap, the Offset ’62 sits in a wonderfully balanced position with everything intuitively positioned ready to rock, not true of every offset design, the Eastman is ready to jangle or shoegaze the night away!

Image: Adam Gasson

Eastman Fullertone Offset ’62 – sounds

Unplugged, the Offset ’62 has a Tele-style snap to its attack and plenty of midrange clout to its decay, albeit softened slightly I suspect by the rather intriguing looking Göldo trem. As far as I’m aware, this is the first production guitar – certainly at this price point – to spec this as standard, and it’s an interesting concept.

It may at first look like the lost lovechild of a Jazzmaster Trem and a Burns Accent vibrato unit from the 1960s, but in fact it feels and functions more like a great Bigsby with more immediate response than the classic Fender vibrato used on the Jazzmaster and Jaguar.

I really like both its quirky almost 60s pawn shop aesthetic but also its very musical and smooth operation for everything from gentle chord wobbles to shoegaze sonic vibrato waves, all accomplished with an impressive lack of retuning required. This no doubt helped by the cleverly designed straight string pull over the genuine bone nut to the sleek stepped headstock design.

With a three-way toggle switch placed on the upper bout and a master volume, two tone control setup all neatly mounted on the very cool aluminium early Jazzmaster-hinting pickguard, everything feels nicely laid out under the hands too.

Before plugging in I wasn’t quite sure what to make of the pickups, whilst they may look like Gold Foils, that is obviously a very specific thing construction-wise. Wisely then for , Eastman describe them as ‘Soapbar Humbuckers with Goldfoil covers’ and whilst this may be a smorgasbord of tonal a nomenclature, plugging in to my black panel amp soon revealed a jangly bright toned bridge pickup with plenty of midrange bite and an impressive lack of hum.

Kudos again to Eastman for creating something original again with these pickups, they have the musical airy top end of a good old gold foil with lots of the gutsy midrange of an old P-90. It’s a wonderful combination, and switching to the neck position reminds me of lots of the best bits of a good Firebird neck pickup. A very distinct, immediate tone that’s void of any flub and instead punches though a mix like a much fatter Strat neck pickup.

The middle position is the guitar’s crowning glory however, a beautiful jangle tone into a clean amp that had us switching to our Vox amp for some superb sixties jangle pop tones that bring us into Ricky and Gretsch land. Jumping on a fuzz pedal revealed these pickups handle gain rather well too – with a clear versatile sonic voice of its own that holds together well in all positions. Superb.

Image: Adam Gasson

Eastman Fullertone Offset ’62 – should I buy one?

We truly are living in a golden age of affordable gear. For a guitar as accomplished and great feeling as this Eastman Offset ’62 to be available at this price is a real win for players.
Not only does this guitar stand out from the usual crowd visually, it has a unique sonic voice and retro feel all of its own and could happily accompany you on a career of live playing and recording.

If I’m being picky, I’d like to see the range expanded with more colour options and pickup alternatives, to appeal to more players, but if you want to stand out from the crowd, you really should check one of these out. There’s a huge amount to love about the Offset ’62 – especially at this killer price.

Image: Adam Gasson

Eastman Fullertone Offset ’62 – alternatives

The historic king of the offset, even at this price range is a Jazzmaster and the Fender Player II Jazzmaster takes a lot of beating value wise as does the superb Fender Vintera II Roadworn 50’s Jazzmaster for a little extra cash. It’s nearly triple the price, but the fantastic Duesenberg Bros Landreth Joey’s Guitar features gold foil humbucking pickups, a wide range of tonal modes, and an offset body.

The post Eastman Fullertone Offset ’62 review – “it has a unique sonic voice and retro feel all of its own” appeared first on Guitar.com | All Things Guitar.

UK-based amp maker Blackstar has entered the floor-modeller space with the launch of ID:X Floor, its first range of high-performance digital floor processors for electric, bass and acoustic guitars.

Built as a floor-based evolution of the brand’s popular ID:X combo amps, the ID:X Floor series aims to deliver “the tone and feel of a real amp” without the distraction of endless menu-diving. Combining decades of amp-building experience with component-level digital modelling and powerful DSP, Blackstar says the result is a more responsive, valve-like playing experience with intuitive, hands-on control.

• READ MORE: NAMM 2026 Live: The latest guitar launches and news from the biggest music gear event on the planet

At the core of ID:X Floor is advanced component-level modelling, designed to capture not just the sound of an amp, but the way it reacts under the fingers.

The system features 12 authentic component-level electric guitar amp models – split between six Blackstar designs and six Ampton recreations of classic amps – alongside three bass amps, two acoustic voices, and an acoustic simulator.

Players can also select different virtual power valve responses (EL84, EL34, or 6L6) and shape everything using Blackstar’s familiar ISF control.

Cab simulation is handled by Blackstar’s IR-driven CabRig system, which aims to feel more dynamic than traditional static impulse responses. The company’s ‘In The Room’ CabRig technology is designed to recreate the sensation of standing in front of a real valve amp, whether you’re running direct to front of house, through an FRFR system, or integrating ID:X Floor into a pedalboard. Full MIDI control is also on hand for deeper integration with more complex setups.

Finally, a full suite of I/O, including USB-C for audio interface use, balanced XLR outputs and headphone output, let ID:X Floor integrate seamlessly with FRFR cabs, traditional amps, or DAWs.

Players can choose between three models: The ID:X Floor One ($239.99) keeps things compact and pedalboard-friendly; the Floor Two ($279.99) adds a built-in expression pedal for volume, wah, and effects parameters; while Floor Three ($349.99) is the “ultimate floor solution” with extended patch/effects switching, added MIDI Thru and an effects loop for maximum versatility.

Credit: Blackstar

Alongside the modeller launch, Blackstar has also announced Artist FR, a new line of powered full-range, flat-response (FRFR) cabinets designed to give digital modeller users the dynamics and feel of an actual guitar amp.

“Most FRFR cabinets feel like PAs pretending to be guitar amps,” says Blackstar. “With Artist FR, we’ve created cabinets that look right, feel right, and respond like a real amp – compact, affordable, and ready for any gig.”

The cabinets combine custom flat-response speakers with whizzer cones, active three-band EQ and Presence controls, and include a built-in kickstand for easy floor monitoring.

Two models are available: the $369.99 Artist FR Standard (50 Watts, 1×12) for home use and smaller gigs, and the $449.99 Artist FR Special (100 Watts, 1×12) for louder stages and rehearsals.

Learn more at Blackstar Amps.

The post ID:X Floor – Blackstar’s first “high-performance” digital floor modellers deliver the tone and feel of real amps with hands-on controls appeared first on Guitar.com | All Things Guitar.

 

the 50th anniversary Stingray bass

For five decades, the StingRay has set the benchmark for bold, forward-leaning bass tone. The Ernie Ball Music Man 50th Anniversary StingRay Special honors that legacy with two limited-edition finishes. Liquid Gold is hand-numbered and limited to 50 instruments worldwide, featuring a striking golden reflective pickguard for a truly exclusive presentation. Molten Gold, limited to 300 instruments, showcases a metallic gold finish on the body and headstock—each with its own unique character. Both versions are paired with an ebony fretboard with gold face dot inlays and glow-in-the-dark side markers for effortless navigation on any stage. A roasted flame maple neck and poplar body deliver a fast, comfortable, and perfectly balanced feel, while gold hardware throughout, including a 50th Anniversary-stamped bridge, completes the look. Finished with a commemorative 50th Anniversary silkscreen on the back of the headstock, each bass ships in a deluxe hardshell case with a certificate of authenticity.

The 50th Anniversary StingRay 4 Special in Molten Gold will be available at all Ernie Ball Music Man retailers, and the Liquid Gold colorway will be available exclusively in the Ernie Ball Music Man Vault this spring.

 

THE darkray II

The DarkRay II bass expands on the aggressive, modern foundation of the original DarkRay by adding fully integrated octave up and octave down effects for an even broader sonic palette. Featuring the same core specs players know and trust, the DarkRay II includes a master volume, bass and treble EQ, a distortion control with a push/push function to switch between two distinct distortion voices, and an octave control with a push/push function to select octave up or octave down. Both the distortion and octave knobs feature LED rings that illuminate when engaged and change color to indicate the selected mode, providing instant visual feedback. A three-way switch selects the core tone, octave only (middle position), or octave combined with distortion (neck position), making it easy to move from tight, punchy bass tones to massive, harmonically rich textures. Available in Black, Showtime, Spectralite, and Mean Green Burst, the DarkRay II delivers uncompromising tone, cutting-edge functionality, and unmistakable Ernie Ball Music Man style. The DarkRay II will be available this spring. 

 

THE STINGRAY SPECIAL BASS

First introduced in 1976, the StingRay has been revered as one of the most iconic bass guitars in history. The flagship of the Music Man line, today’s StingRay Special retains the same signature features that it had some forty years ago, including a solid roadworthy construction, iconic oval pickguard, 3+1 tuning key configurations, and the ever-popular Music Man humbucker, all of which combine to produce a look, feel, and sound that is remarkably unmistakable. The StingRay Special will be available in 4 or 5-string in either H or HH pickup configurations. The new StingRay Special finishes will be available this spring. 

 

The John petrucci signature majesty premium select

The John Petrucci Signature Majesty Premium Select delivers refined tone, precision, and versatility at the highest level—the culmination of years of touring and recording during which John Petrucci gravitated toward a mahogany neck-through body with alder wings and a thick maple top for added depth, sustain, and articulation. Features include a 24-fret ebony fingerboard with stainless steel frets, glow-in-the-dark side dots, DiMarzio Rainmaker and Dreamcatcher humbuckers, a piezo-equipped Music Man floating tremolo, stereo/mono outputs, and a 20+ dB onboard gain boost. Available in Carnelian Red, Ka’anapali Dream, Mystic Dream, Purple Nebula II, and Strawberry Moon. The Majesty Premium Select will be available this spring.

 

THE jason richardson artist series cutlass

Introducing the Jason Richardson Artist Series Cutlass HT 8-String, a bold evolution of the signature line and now available in three striking translucent finishes: Water Temple, Death Mountain, and Kokiri Forest. Designed for modern technical players, this multiscale powerhouse features a 25.5”–27” scale length—from the high E down to the low F#—providing exceptional clarity, tension, and articulation across the full extended range. An alder body with a buckeye burl top is paired with a roasted, figured maple neck and ebony fretboard, delivering a premium feel and outstanding stability. Outfitted with Jason Richardson HT humbuckers, the Cutlass HT 8-String offers crushing output, precise note definition, and dynamic tonal versatility. Additional pro-level features include 24 stainless steel frets, a hardtail bridge engineered for superior sustain and tuning stability, a push/ push volume knob for a 20+ dB boost, and coil-splitting via the push/push tone control. Engineered for players who demand peak performance and expressive range, this 8-String expands the sonic possibilities of the Jason Richardson platform like never before. The new Jason Richardson Artist Series Cutlass colorways will be available this spring.

 

The 30th anniversary axis

Introducing the 30th Anniversary Axis guitar. To mark 30 years of the Axis, we’re revisiting the translucent finishes that defined its 1996 debut—Translucent Gold, Black, Pink, Red, Blue, and Purple—applied to hand-stained quilt maple tops and paired with black, lightly sparkled backs that subtly echo each color. Each guitar features a figured maple neck with stainless steel frets, glow-in-the-dark side dots, the original asymmetrical neck carve, and the sought-after DiMarzio® custom-wound pickups that helped define the Axis feel and sound. Finished with a color-matched headstock face, a 30th Anniversary Axis logo on the back, and limited to 90 Gold, 60 Black, Pink, and Purple, and 30 Blue and Red instruments worldwide, every guitar ships with a certificate of authenticity and a deluxe Music Man® hardshell case.  The 30th Anniversary Axis Guitar will be available this spring.

 

THE custom design experience

The Ernie Ball Music Man Custom Design Experience has expanded with 14 new finishes, offering even more ways for players to create their own custom StingRay bass. The Custom Design Experience is an online custom instrument configurator that allows customers to design and build their dream StingRay Special Bass guitar. Customers can choose from 4-string and 5-string models, right- and left-handed orientations, single- and double-humbucking pickups, finishes, necks, pickguards, hardware, tuning, case options, string gauges, and more. All Custom Design Experience instruments are built in the Ernie Ball Music Man San Luis Obispo, CA, facility and are shipped directly to the customer. The new Custom Design Experience finishes are available this spring.

Casio has announced the debut of Dimension Shifter, a groundbreaking performance tool that enables guitarists to wirelessly control effects, pedals, and other gear through natural movements of their guitar strap.

First previewed in 2024 under the name Dimension Tripper, this innovative device seamlessly integrates into a standard guitar strap and, using a proprietary control system that harnesses strap tension and spring return force, translates a player’s movements into real-time control of effects parameters. Whether tilting the neck to swell a delay, raising the body for a filter sweep, or leaning back to unleash distortion, Dimension Shifter opens a new world of expressive, intuitive stage performance; no hands required. Because control data is transmitted wirelessly, players can operate the effects on their pedalboard from anywhere on stage, and when used alongside their existing expression pedal(s), they can control multiple parameters simultaneously for more complex sound design.

- YouTube

Dimension Shifter wirelessly connects to a pedalboard receiver, eliminating the need for extra cables and enhancing stage mobility. Musicians can assign specific effects parameters to strap movement, unlocking new interactive performance possibilities. Dimension Shifter is fully compatible with popular pedals, multi-effects units, and DAWs, providing players with maximum flexibility to integrate it into their setups.

The introduction of Dimension Shifter showcases Casio’s long-standing tradition of innovation in musical instruments that goes far beyond keyboards and digital pianos. Since the 1980s, the company has released groundbreaking products that have changed how musicians interact with technology. These include the DG and PG series guitars, which combine traditional guitar playability with advanced MIDI control, the DH Series Digital Horns, breath-controlled wind instruments with built-in synthesis, and the RZ-1 Drum Machine, one of the first affordable models to feature user sampling.

From the pocket-sized VL-Tone synthesizer, which uniquely combined a calculator with music creation, to hybrid MIDI guitars and digital wind instruments, Casio has consistently pushed the boundaries of musical expression. Dimension Shifter continues this innovative tradition, offering guitarists a new platform that transforms their performance and creativity.

“For more than 40 years, Casio has expanded the possibilities of musical creativity through technology,” said Brian Piccolo, Senior General Manager of Sales for Casio’s Electronic Musical Instruments Division. “With Dimension Shifter, we’re giving guitarists an entirely new way to interact with their music, merging the energy of live performance with the precise control of digital effects. It truly transforms how a guitarist commands the stage.”

Key Features of the Dimension Shifter

Motion-based control – Use natural guitar strap movements to control effects.

Wireless freedom – The lightweight transmitter attaches between the guitar and strap, and instantly pairs with a compact receiver pedal.

Broad compatibility – Compatible with various pedals, effects processors, and digital rigs.

Customizable mapping – Assign movements to control parameters like reverb depth, delay time, wah position, or volume.

Versatile modes – Use strap gestures to toggle effects on and off, switch channels, or change a preset.

Performance-ready design – Built for durability and seamless integration into any guitarist’s setup.

The Casio Dimension Shifter carries a street price of $389.99.

.rbm-pick { display: grid; grid-template-columns: 160px 1fr; gap: 16px; align-items: center; border: 1px solid #e6e6e6; border-radius: 12px; padding: 16px; } /* Media box — no cropping, no edge kiss */ .rbm-pick-media { height: 180px; /* fixed height for consistency */ padding: 8px; /* breathing room to avoid flat-cut edges */ box-sizing: border-box; /* keep total height = 180px */ border-radius: 10px; background: #fff; overflow: hidden; display: flex; align-items: center; justify-content: center; } .rbm-pick-media img { max-width: 100%; max-height: 100%; width: auto; /* preserve aspect */ height: auto; object-fit: contain; /* never crop */ object-position: center; display: block; } .rbm-badge { display: inline-block; font: 600 12px/1.2 system-ui; padding: 4px 8px; border-radius: 999px; background: #111; color: #fff; margin-bottom: 8px; } .rbm-title { font: 700 18px/1.3 system-ui; margin: 4px 0 8px; } .rbm-blurb { font: 400 14px/1.5 system-ui; color: #333; margin-bottom: 12px; } .rbm-pick-buttons { display: flex; gap: 8px; flex-wrap: wrap; } .rbm-pick .rbm-btn { display: inline-flex; gap: 6px; align-items: center; border: 2px solid #b50000; /* Premier Guitar red */ border-radius: 999px; padding: 10px 16px; text-decoration: none; font: 600 14px/1.2 system-ui; color: #b50000; background: #fff; box-shadow: 0 2px 5px rgba(0,0,0,0.12); transition: background .2s, color .2s, transform .15s; } .rbm-pick .rbm-btn:hover { background: #b50000; color: #fff; transform: translateY(-1px); } .rbm-pick .rbm-btn .price { opacity: 1; font-weight: 600; } /* Responsive tweaks */ @media (max-width: 540px) { .rbm-pick { grid-template-columns: 1fr; } .rbm-pick-media { height: 160px; padding: 6px; } } @media (min-width: 900px) { .rbm-pick-media { height: 200px; } }

In one of the most innovative new offerings to be revealed at NAMM 2026, Strandberg has partnered with Jamstik for a new MIDI technology-infused headless electric guitar.

The Strandberg x Jamstik Chameleon MIDI Guitar is essentially a traditional analogue electric guitar (well, ‘traditional’ might be a stretch – it is Strandberg, after all) with MIDI functionality. The instrument aims to empower guitarists not only in playing, but in composing, producing, transcribing and other areas of modern digital music creation.

• READ MORE: NAMM 2026 Live: The latest guitar launches and news from the biggest music gear event on the planet

Via its onboard MIDI functionality, the Chameleon MIDI Guitar allows players to control software instruments, hardware synthesizers, as well as other digital production tools.

In terms of connectivity, the guitar features a USB-C input for direct computer and DAW integration, TRS-MIDI for controlling hardware synths without a computer, and even Bluetooth functionality for wireless configuration and real-time setting adjustments via mobile devices.

“By embedding our MIDI technology into Strandberg’s guitars, we’ve built an instrument that supports modern creative workflows while still feeling unmistakably like a world-class guitar,” said Jonathan Keller, Senior Engineer at Jamstik.

“Strandberg’s craftsmanship and ergonomics gave us the ideal foundation to make MIDI feel expressive, musical, and completely natural to play.”

Credit: Strandberg

Aesthetics include a “chameleon-style” finish which subtly shifts between purple, green and graphite tones depending on the lighting.

“Strandberg guitars are designed to remove friction between the player and their ideas,” says Ola Strandberg, Founder and Creative Lead at Strandberg Guitars.

“This collaboration with Jamstik extends that philosophy into the digital domain, giving players new creative possibilities.”

Each guitar includes access to Jamstik Creator, Jamstik’s companion software for configuring MIDI behaviour, sensitivity, tuning options and performance settings.

The Strandberg x Jamstik Chameleon MIDI Guitar is priced at $2,199/£1,799, and is available now as a limited pre-order via Jamstik and Strandberg. The first batch is scheduled to ship early spring 2026.

If you’re heading to NAMM 2026, you can also visit Strandberg at Booth #5414 and Jamstik at Booth #9907.

The post Strandberg and Jamstik partner on a headless electric guitar with MIDI functionality appeared first on Guitar.com | All Things Guitar.